- BPM
- 169
- Key
- D Major
- Camelot
- 10B
Donizetti: Lucia di Lammermoor, Act 1: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa) - Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin Information
- Acousticness
- 98%
- Danceability
- 25%
- Energy
- 12%
- Instrumentalness
- 0%
- Liveness
- 13%
- Loudness
- 76%
- Speechiness
- 4%
- Valence
- 13%
- Popularity
- 1%
- Loudness
- -14.241 dB
Summary
"Donizetti: Lucia di Lammermoor, Act 1: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa)" by Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin was released on 1953. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 35 in Donizetti: Lucia di Lammermoor (1953 - Serafin) - Callas Remastered by Gaetano Donizetti, Maria Callas. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Donizetti: Lucia di Lammermoor, Act 1: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Donizetti: Lucia di Lammermoor, Act 1: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa) BPM
The tempo marking of Donizetti: Lucia di Lammermoor, Act 1: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa) by Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
Donizetti: Lucia di Lammermoor, Act 1: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa) Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov | E Minor | 1 | 9A | 84 BPM | |
 | L'elisir d'amore / Act II: Una furtiva lagrima | Gaetano Donizetti, Roberto Alagna, Evelino Pidò, London Philharmonic Orchestra | F Minor | 1 | 4A | 88 BPM | |
 | Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Glou, glou, glou (Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | C Major | 0 | 8B | 101 BPM | |
 | Manon: "En fermant les yeux" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | D Major | 1 | 10B | 82 BPM | |
| Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM | |
 | La fille du régiment / Act 1: "Ah! mes amis, quel jour de fête!" | Gaetano Donizetti, Juan Diego Flórez, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | F Major | 1 | 7B | 134 BPM | |
 | La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | |
 | L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | B♭ Minor | 1 | 3A | 78 BPM | |
 | Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | |
 | Le nozze di Figaro, K. 492 / Act 3: "E Susanna non vien...Dove sono i biei momenti...Io" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Giorgio Tadeo, Thomas Allen, London Philharmonic Orchestra, Sir Georg Solti | C Major | 1 | 8B | 126 BPM |
- ISRC
- GBAYC1400111
- Label
- L-M Records/RCA Records
Section: 0.8385658264160156
End: 0.8424124717712402