"L'elisir d'amore / Act 2: "Una furtiva lagrima"" by Gaetano Donizetti, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini was released on January 1, 1992. With this song being about 5 minutes long, at 4:42, "L'elisir d'amore / Act 2: "Una furtiva lagrima"" by Gaetano Donizetti, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 16 in Domingo Favourites by Plácido Domingo, Roger Wagner Chorale, Roger Wagner, Los Angeles Philharmonic, Carlo Maria Giulini, Chor der Deutschen Oper Berlin, Walter Hagen-Groll, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Philharmonia Orchestra, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan. L'elisir d'amore / Act 2: "Una furtiva lagrima" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'elisir d'amore / Act 2: "Una furtiva lagrima" by Gaetano Donizetti, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: III. Allegro scherzando | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | G Minor | 3 | 6A | 97 BPM | ||
Nessun dorma! from Turandot | Plácido Domingo | D Major | 4 | 10B | 80 BPM | ||
Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" | Gioachino Rossini, Teresa Berganza, London Symphony Orchestra, Sir Alexander Gibson | F Major | 1 | 7B | 73 BPM | ||
Medley: Celos/Usted (Jealousy/You) | Bebu Silvetti, Gabriel Ruiz, Jose Antonio Zorrilla, José Maria Napoleón, Plácido Domingo | D♭ Major | 4 | 3B | 85 BPM | ||
Lucia di Lammermoor / Act 1: "Tu sei turbato!" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM | ||
Samson et Dalila / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Elena Obraztsova, Plácido Domingo, Orchestre de Paris, Daniel Barenboim | D♭ Major | 2 | 3B | 88 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM |
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