Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire, Ivo Hadermann, Alex Van Aeken, Luc Loubry's 'Overture in F Major, TWV 55:F16: V. Menuet I - Menuet II' came out on 2006. The duration of Overture in F Major, TWV 55:F16: V. Menuet I - Menuet II is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Overture in F Major, TWV 55:F16: V. Menuet I - Menuet II's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 54 in the song's album "Telemann: Complete Overtures, Vol. 3". In this album, this song's track order is #33. Furthermore, we believe that the track originated from Netherlands. Overture in F Major, TWV 55:F16: V. Menuet I - Menuet II is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Overture in F Major, TWV 55:F16: V. Menuet I - Menuet II by Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire, Ivo Hadermann, Alex Van Aeken, Luc Loubry having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM | ||
Phaéton Opera in 5 acts with prologue: Chaconne in G | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 140 BPM | ||
Violin Concerto in G Minor, JunP I. 1: I. Largo e staccato | Johann Georg Pisendel, Dmitry Sinkovsky, Il Pomo D'oro | F♯ Minor | 0 | 11A | 98 BPM | ||
Instrumental Music from Dioclesian, Z. 627: 2. Preludio | Henry Purcell, Jeanne Lamon, Tafelmusik Baroque Orchestra | B Minor | 0 | 10A | 114 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 1 in C major, BWV 846 | Luc Beauséjour | A♭ Minor | 4 | 1A | 132 BPM | ||
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
Trumpet Concerto in D Major, TWV 51:D7: II. Allegro | Georg Philipp Telemann, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 3 | 3B | 107 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
The Tempest: Galliard | Matthew Locke, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 2 | 11A | 117 BPM | ||
Telemann: Concerto for 3 Oboes, 3 Violins and Continuo in B-Flat Major, TWV 44:43: III. Allegro | Georg Philipp Telemann, Nikolaus Harnoncourt, Bernhard Klebel, Jürg Schaeftlein, Karl Gruber, Concentus Musicus Wien | A Major | 2 | 11B | 121 BPM |
Section: 1.2257471084594727
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