"The Firebird, KC 10: V. Corovod (Ronde) des princesses - Lever du jour - Ivan Tsarévitch pénètre dans le palais de Kachtcheï" by Igor Stravinsky, London Symphony Orchestra, Valery Gergiev was released on October 14, 2016. The Firebird, KC 10: V. Corovod (Ronde) des princesses - Lever du jour - Ivan Tsarévitch pénètre dans le palais de Kachtcheï is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. There are a total of 16 in the song's album "Stravinsky: The Firebird - Bartók: Piano Concerto No. 3 & The Miraculous Mandarin". In this album, this song's track order is #11. The Firebird, KC 10: V. Corovod (Ronde) des princesses - Lever du jour - Ivan Tsarévitch pénètre dans le palais de Kachtcheï is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Firebird, KC 10: V. Corovod (Ronde) des princesses - Lever du jour - Ivan Tsarévitch pénètre dans le palais de Kachtcheï by Igor Stravinsky, London Symphony Orchestra, Valery Gergiev having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Oboe Concerto: II. Minuet and Musette. Allegro moderato | Ralph Vaughan Williams, Peter Oundjian, Toronto Symphony Orchestra, Sarah Jeffrey | C Major | 1 | 8B | 138 BPM | ||
Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 85 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Organ Concerto in G Minor, FP 93: I. Andante | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | F♯ Minor | 1 | 11A | 139 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: VIII. Sento dire no' nce pace (Andante) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Angharad Lyddon, Sam Furness, Matthew Rose | G Minor | 0 | 6A | 140 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: III. Scherzo (Pizzicato ostinato - Allegro) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 156 BPM | ||
Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
The Firebird, KC 10: VII. Danse infernale de tous les sujets de Kachtcheï | Igor Stravinsky, London Symphony Orchestra, Valery Gergiev | E Major | 3 | 12B | 149 BPM |
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