- BPM
- 100
- Key
- G Major
- Camelot
- 9B
Six Welsh Oxen Songs for Piano and Voice: No. 5, Merthyr - Grace Williams, Jeremy Huw Williams, Paula Fan Information
- Acousticness
- 77%
- Danceability
- 18%
- Energy
- 16%
- Instrumentalness
- 88%
- Liveness
- 16%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 8%
- Popularity
- 0%
- Loudness
- -20.628 dB
Summary
"Six Welsh Oxen Songs for Piano and Voice: No. 5, Merthyr" by Grace Williams, Jeremy Huw Williams, Paula Fan was released on November 1, 2017. With Six Welsh Oxen Songs for Piano and Voice: No. 5, Merthyr being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Grace Williams, Jeremy Huw Williams, Rachel Kay Green, Paula Fan's "My Last Duchess: The Songs of Grace Williams" album is number 17 out of 28. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Six Welsh Oxen Songs for Piano and Voice: No. 5, Merthyr is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Six Welsh Oxen Songs for Piano and Voice: No. 5, Merthyr BPM
We consider the tempo marking of Six Welsh Oxen Songs for Piano and Voice: No. 5, Merthyr by Grace Williams, Jeremy Huw Williams, Paula Fan to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Six Welsh Oxen Songs for Piano and Voice: No. 5, Merthyr Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Who is Sylvia?, Op.18, No.2 - Instrumental | Gerald Finzi, Nicolas Fleury, Aurora Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 138 BPM | |
 | String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile (Version for Cello & Orchestra) | Pyotr Ilyich Tchaikovsky, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Aziz Shokhakimov | G Major | 0 | 9B | 105 BPM | |
 | The Mother, Op. 41, FS 94, Scene 1: No. 2, Tågen letter | Carl Nielsen, Rune Most, Lovisa Wennesz | C Major | 0 | 8B | 79 BPM | |
 | A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 91 BPM | |
 | Bugeilio 'r Gwenith Gwyn for Piano and Voice (Watching the Wheat) | Grace Williams, Jeremy Huw Williams, Paula Fan | B Minor | 2 | 10A | 64 BPM | |
 | Piano Hush | Sonic Piano Music | F Minor | 0 | 4A | 71 BPM | |
 | Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones | F Minor | 0 | 4A | 83 BPM | |
 | Danse des Lutins | Henriette Renié, Judy Loman | E♭ Minor | 1 | 2A | 89 BPM | |
 | Symphony No. 2: III. Allegro scherzando | Grace Williams, BBC Welsh Symphony Orchestra, Vernon Handley | D Major | 2 | 10B | 100 BPM | |
 | String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Heath Quartet | A Minor | 1 | 8A | 82 BPM |
- ISRC
- GBELU1714017
- Label
- L-M Records/RCA Records
Section: 0.6806728839874268
End: 0.6871953010559082