Imogen Holst, Thomas Hewitt Jones's 'Fall of the Leaf: II. Vivace' came out on September 22, 2017. With Fall of the Leaf: II. Vivace being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Imogen Holst, Various Artists's "Imogen Holst: String Chamber Music" album is number 10 out of 19. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Fall of the Leaf: II. Vivace's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Fall of the Leaf: II. Vivace by Imogen Holst, Thomas Hewitt Jones to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jubilus | Benet Casablancas, Diego Fernández Magdaleno | A Minor | 0 | 8A | 209 BPM | ||
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 2, Sunday Morning | Benjamin Britten, Sir Neville Marriner, Minnesota Orchestra | G Major | 3 | 9B | 82 BPM | ||
Fugitive Visions of Mozart: III. Allegro | Valentin Silvestrov, Johannes Moser, Vadim Gluzman, Andreï Korobeinikov | G Major | 0 | 9B | 65 BPM | ||
Trauermusik | Paul Hindemith, Kim Kashkashian, Dennis Russell Davies, Stuttgart Chamber Orchestra | E Minor | 1 | 9A | 99 BPM | ||
Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
And Tired From Happiness, They Started to Dance: I. Shadows in the Mirror | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | G Major | 2 | 9B | 85 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: I. Largo | Dmitri Shostakovich, Asasello Quartett | G Major | 0 | 9B | 88 BPM | ||
Flowers Santini A | Deutsches Kammerorchester Berlin, Wind Quartet | F Major | 0 | 7B | 90 BPM | ||
5 Pieces for String Quartet: No. 5, Alla tarantella | Erwin Schulhoff, Orava Quartet | D♭ Minor | 0 | 12A | 115 BPM | ||
Song for Orchestra, Op. 33 | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | F♯ Minor | 0 | 11A | 67 BPM |
Section: 1.0543913841247559
End: 1.058262586593628