"Etudes Pour Piano Book1 No.4 Fanfares" by György Ligeti, Tomoko Yazawa was released on 1950. The duration of Etudes Pour Piano Book1 No.4 Fanfares is about 3 minutes long, at 3:22. Based on our data, "Etudes Pour Piano Book1 No.4 Fanfares" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Tomoko Yazawa Piano Solo ''Egoist''". In this album, this song's track order is #10. The popularity of Etudes Pour Piano Book1 No.4 Fanfares is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Etudes Pour Piano Book1 No.4 Fanfares by György Ligeti, Tomoko Yazawa having a BPM of 199 with a half-time of 100 BPM and a double-time of 398 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Papillons: No. 1. — | Kaija Saariaho, Anssi Karttunen | D Major | 1 | 10B | 56 BPM | ||
String Quartet in G Minor, Op. 10: I. Animé et très décidé | Claude Debussy, Quatuor Ébène | F♯ Minor | 0 | 11A | 84 BPM | ||
The Dreams and Prayers of Isaac the Blind: Prelude: Calmo, Sospeso | Osvaldo Golijov, Kronos Quartet | F♯ Minor | 0 | 11A | 88 BPM | ||
Ligeti : Violin Concerto : II Aria, Hoquetus, Choral | György Ligeti, Reinbert de Leeuw, Asko Ensemble, Schönberg Ensemble | C Major | 6 | 8B | 112 BPM | ||
Két kánon: I. Ha folyóvíz volnék | György Ligeti, SWR Vokalensemble Stuttgart, Yuval Weinberg, Christopher Kaplan, Philip Niederberger, Alexander Yudenkov, Bernhard Hartmann | E♭ Minor | 0 | 2A | 65 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Les heures persanes, Op. 65: No. 1. Sieste, avant le depart: Lent | Charles Koechlin, Ralph van Raat | B Major | 0 | 1B | 66 BPM | ||
Concerto Grosso No. 5: I. Allegretto - Live | Alfred Schnittke, Gidon Kremer, Rainer Keuschnig, Wiener Philharmoniker, Christoph von Dohnányi | F Major | 1 | 7B | 176 BPM | ||
Ligeti : Hamburg Concerto : IV Solo, Intermezzo, Mixtur, Kanon | György Ligeti, Reinbert de Leeuw | G Minor | 1 | 6A | 78 BPM | ||
Umi e (Toward the Sea): I - The Night | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | F♯ Major | 0 | 2B | 71 BPM |
Section: 0.8964443206787109
End: 0.8999927043914795