What is the BPM for Suleika by Edith Mathis?

The tempo for Suleika is 109 beats per a minute with a half-time of 54 BPM and a double-time of 218 BPM.

What is the music key for Suleika by Edith Mathis?

The music key for Suleika is B Major or a camelot key of 1B.

Suleika - Edith Mathis Information

Acousticness: 99%
Danceability: 36%
Energy: 12%
Instrumentalness: 0%
Liveness: 10%
Loudness: 66%
Speechiness: 6%
Valence: 7%
Popularity: 1%
Loudness: -20.196 dB

Summary

"Suleika" by Edith Mathis was released on 1986. With this song being about 5 minutes long, at 5:25, "Suleika" by Edith Mathis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 39 in Edith Mathis: Lieder by Karl Engel. In terms of popularity, Suleika is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Suleika BPM

The tempo marking of Suleika by Edith Mathis is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.

Suleika Key

B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp)	Camille Saint-Saëns, Jacqueline du Pré, Osian Ellis	G Major	0	9B	60 BPM
Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio	Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti	B♭ Major	2	6B	72 BPM
Mass No. 1 in D Minor, WAB 26: II. Gloria	Anton Bruckner, Edith Mathis, Marga Schiml, Wiesław Ochman, Karl Ridderbusch, Elmar Schloter, Bavarian Radio Symphony Orchestra, Eugen Jochum, Bavarian Radio Chorus	A♭ Minor	0	1A	81 BPM
Tosca / Act II: "Vissi d'arte, vissi d'amore"	Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano	E♭ Major	1	5B	82 BPM
Carmen / Act 1: "Mais nous ne voyons pas la Carmencita" - "L'amour est un oiseau rebelle"	Georges Bizet, Tatiana Troyanos, John Alldis Choir, London Philharmonic Orchestra, Sir Georg Solti	G Major	2	9B	179 BPM
Il turco in Italia: Overture	Gioachino Rossini, Prague Sinfonia, Christian Benda	D Major	2	10B	72 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro	Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra	F Major	3	7B	111 BPM
Mass No. 1 in D Minor, WAB 26: IV. Sanctus	Anton Bruckner, Edith Mathis, Marga Schiml, Wiesław Ochman, Karl Ridderbusch, Elmar Schloter, Bavarian Radio Symphony Orchestra, Eugen Jochum, Bavarian Radio Chorus	D Major	2	10B	77 BPM
Fauré Pavane	Gabriel Fauré, David Parry, London Philharmonic Orchestra	F♯ Minor	1	11A	83 BPM
Der Rosenkavalier, Op. 59, TrV 227 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben"	Richard Strauss, Edith Mathis, Tatiana Troyanos, Christa Ludwig, Wiener Philharmoniker, Karl Böhm	D Major	2	10B	129 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.0073661804199219

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