"Tristan und Isolde, WWV 90, Act II Scene 2: Lausch, Geliebter" by Richard Wagner, Nina Stemme, Peter Seiffert, Vienna State Opera Orchestra, Franz Welser-Möst was released on May 6, 2022. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wagner: Tristan und Isolde, WWV 90 by Richard Wagner, Peter Seiffert, Nina Stemme, Stephen Milling, Jochen Schmeckenbecher, Vienna State Opera Orchestra, Franz Welser-Möst. The song's track number on the album is #6 out of 29 tracks. Based on our data, Germany was the country where this track was produced or recorded. Tristan und Isolde, WWV 90, Act II Scene 2: Lausch, Geliebter is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tristan und Isolde, WWV 90, Act II Scene 2: Lausch, Geliebter by Richard Wagner, Nina Stemme, Peter Seiffert, Vienna State Opera Orchestra, Franz Welser-Möst has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Tristan und Isolde, WWV 90, Act II Scene 2: Lausch, Geliebter being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Grande messe des morts, Op. 5, "Requiem": Lacrimosa | Hector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 2 | 8B | 128 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM | ||
Jenufa / Act 1: Prelude | Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras | A Major | 1 | 11B | 70 BPM | ||
Lohengrin, Act III: Wedding March - Arr. For Organ | Bertalan Hock, Richard Wagner | B♭ Major | 0 | 6B | 133 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in G Minor. Allegro (Orch. Schmeling) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 145 BPM | ||
May Night: Overture | Vladimir Fedoseyev, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks | G Major | 3 | 9B | 140 BPM | ||
Hungarian Dance No. 1 in G Minor, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 142 BPM | ||
L'Arlésienne Suite No.1, WD 40: 3. Adagietto | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 0 | 7B | 92 BPM | ||
Verdi: Messa da Requiem - Libera me: VIIc. Requiem aeternam | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Berliner Philharmoniker | F♯ Major | 1 | 2B | 81 BPM |
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