"Rumba For Amadeus" by Frantisek Janoska, Wolfgang Amadeus Mozart, Janoska Ensemble was released on April 8, 2016. With this song being about 5 minutes long, at 5:15, "Rumba For Amadeus" by Frantisek Janoska, Wolfgang Amadeus Mozart, Janoska Ensemble is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Janoska Ensemble's "Janoska Style" album is number 8 out of 10. On top of that, Austria appears to be the country where this track was created. Rumba For Amadeus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rumba For Amadeus by Frantisek Janoska, Wolfgang Amadeus Mozart, Janoska Ensemble to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Odeon - Tango brésilien, Op. 146 | Ernesto Nazareth, Simon Ghraichy | D♭ Minor | 2 | 12A | 103 BPM | ||
Humoresque (Arr. Koncz) | Philharmonix | D Minor | 1 | 7A | 73 BPM | ||
Nocturne for Cello and Piano, Op. 14, No. 1 | Auguste Franchomme, Sol Gabetta, Bertrand Chamayou | E Minor | 1 | 9A | 79 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Die Zauberflöte / Act 2: "Der Hölle Rache kocht in meinem Herze" | Wolfgang Amadeus Mozart, Sumi Jo, Ruth Ziesak, Heinz Zednik, Kurt Moll, Wiener Philharmoniker, Sir Georg Solti | G Minor | 2 | 6A | 107 BPM | ||
Suite in D Minor, HWV 437: III. Sarabande. Grave - Arranged by Charl du Plessis | George Frideric Handel, Charl du Plessis Trio | F Major | 2 | 7B | 82 BPM | ||
A New Satiesfaction | Philharmonix | D Major | 1 | 10B | 172 BPM | ||
Gershwin / Arr. Kennedy: Rhapsody in Claret & Blue | George Gershwin, Nigel Kennedy | D♭ Major | 2 | 3B | 91 BPM |
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