"Humoresque (Arr. Koncz)" by Philharmonix was released on September 30, 2022. The duration of Humoresque (Arr. Koncz) is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Humoresque (Arr. Koncz)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "The Vienna Berlin Music Club Volume 3". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Austria. Humoresque (Arr. Koncz) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Humoresque (Arr. Koncz) by Philharmonix having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
From the Motion Picture Soundtrack 'The Hours': The Poet Acts (Arr. For Double Bass & Piano by Dominik Wagner) | Philip Glass, Dominik Wagner, Lauma Skride | B Minor | 1 | 10A | 156 BPM | ||
Summer Tempest (after Violin Concerto in G Minor, Op. 8, No. 2 / RV 315 "The Four Seasons: Summer", arr. for Baroque Ensemble by Bo Wiget) | Antonio Vivaldi, Lautten Compagney, Wolfgang Katschner | G Minor | 4 | 6A | 151 BPM | ||
Tango | Fritz Kreisler, Isaac Albéniz, Laurent Korcia | D Major | 1 | 10B | 110 BPM | ||
Scaramouche Suite: 3. Brazileira | Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | F Major | 4 | 7B | 92 BPM | ||
Tango Étude No. 3 for Clarinet and Orchestra (Arr. Jofre) | Astor Piazzolla, Seunghee Lee, London Symphony Orchestra, Enrico Fagone | G Minor | 4 | 6A | 62 BPM | ||
Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Jan Vogler, Hélène Grimaud | E♭ Major | 1 | 5B | 67 BPM | ||
Oblivion (Arr. for violin, cello and piano by José Bragato) | Astor Piazzolla, Marc Djokic, Chloé Dominguez, Louise Bessette | A♭ Major | 1 | 4B | 82 BPM | ||
Concerto No. 5, "Dorian": II. Toccata - After Organ Toccata in D Minor "Dorian", BWV 538 | Arash Safaian, Sebastian Knauer, Pascal Schumacher, Zürcher Kammerorchester | A Minor | 3 | 8A | 68 BPM | ||
Dreigroschenoper: Zuhälterballade - Arr. für Saxophon, Streichquartett und Klavier | Kurt Weill, Asya Fateyeva, Florian Donderer, Emma Yoon, Yuko Hara, Tanja Tetzlaff, Stepan Simonian | C Major | 1 | 8B | 77 BPM | ||
Star of the County Down (Arr. for Solo Cello) | Sheku Kanneh-Mason | D Minor | 0 | 7A | 82 BPM |
Section: 0.6966941356658936
End: 0.700972318649292