Concerto No. 5, "Dorian": II. Toccata - After Organ Toccata in D Minor "Dorian", BWV 538 - Arash Safaian, Sebastian Knauer, Pascal Schumacher, Zürcher Kammerorchester Information

Acousticness: 98%
Danceability: 22%
Energy: 30%
Instrumentalness: 86%
Liveness: 9%
Loudness: 81%
Speechiness: 4%
Valence: 4%
Popularity: 9%
Loudness: -11.406 dB

Summary

"Concerto No. 5, "Dorian": II. Toccata - After Organ Toccata in D Minor "Dorian", BWV 538" by Arash Safaian, Sebastian Knauer, Pascal Schumacher, Zürcher Kammerorchester was released on September 16, 2016. Since Concerto No. 5, "Dorian": II. Toccata - After Organ Toccata in D Minor "Dorian", BWV 538 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in ÜberBach, so we believe that "Concerto No. 5, "Dorian": II. Toccata - After Organ Toccata in D Minor "Dorian", BWV 538" is a single. Concerto No. 5, "Dorian": II. Toccata - After Organ Toccata in D Minor "Dorian", BWV 538 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Concerto No. 5, "Dorian": II. Toccata - After Organ Toccata in D Minor "Dorian", BWV 538 BPM

The tempo marking of Concerto No. 5, "Dorian": II. Toccata - After Organ Toccata in D Minor "Dorian", BWV 538 by Arash Safaian, Sebastian Knauer, Pascal Schumacher, Zürcher Kammerorchester is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Concerto No. 5, "Dorian": II. Toccata - After Organ Toccata in D Minor "Dorian", BWV 538 Key

A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Brahms / Transcr. Reger: 5 Lieder, Op. 49: No. 4, Wiegenlied	Johannes Brahms, Bertrand Chamayou	E♭ Major	1	5B	69 BPM
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude	César Franck, Aldo Ciccolini	B Minor	0	10A	127 BPM
13 Pieces, Op. 76: No. 3 Carillon	Jean Sibelius, Håvard Gimse	F Major	0	7B	72 BPM
Naive Music: No. 2. Nocturne	Valentin Silvestrov, Elisaveta Blumina	B♭ Major	0	6B	68 BPM
Violin Concerto in D Major, Op. 61: II. Larghetto	Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani	B♭ Major	4	6B	138 BPM
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major	Johannes Brahms, Idil Biret	A♭ Minor	3	1A	111 BPM
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano)	Gustav Mahler, John Gribben, Edward Wolanin	F Major	0	7B	71 BPM
Humoresque No. 7 in G-flat Major, Op. 101	Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman	F♯ Major	1	2B	83 BPM
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits (Melody in B minor)	Christoph Willibald Gluck, Lynn Harrell, Concertgebouw Chamber Orchestra	B Minor	1	10A	68 BPM
Serenade for Strings in E Major, Op. 22, B. 52: IV. Larghetto	Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung	A Major	1	11B	79 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.699307918548584

End: 0.7036030292510986