Maria Callas's 'Tosca, Act I: Non la sospiri, la nostra casetta - 1997 - Remaster' came out on September 14, 2001. The duration of Tosca, Act I: Non la sospiri, la nostra casetta - 1997 - Remaster is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Tosca, Act I: Non la sospiri, la nostra casetta - 1997 - Remaster's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Romantic Callas - sus mejores arias y dúos". In this album, this song's track order is #10. In terms of popularity, Tosca, Act I: Non la sospiri, la nostra casetta - 1997 - Remaster is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tosca, Act I: Non la sospiri, la nostra casetta - 1997 - Remaster by Maria Callas having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ponchielli:La Gioconda, Act 1: "L'ora non giunse ancor del vespro santo" (Gioconda, Barnaba, Cieca, Chorus) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Coro Del Teatro Alla Scala Di Milano, Irene Companeez, Orchestra Del Teatro Alla Scala, Milano, Piero Cappuccilli | E Minor | 1 | 9A | 169 BPM | ||
Verdi: Aida, Act 1: "Ritorna vincitor" (Aida) | Giuseppe Verdi, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 2 | 4B | 91 BPM | ||
Rossini: Il turco in Italia, Act 1: "Voga, voga, a terra, a terra" (Fiorilla, Coro) | Gioachino Rossini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano | E Minor | 1 | 9A | 102 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
I vespri siciliani: Siciliana | Giuseppe Verdi, Maria Callas, RAI Symphony Orchestra, Rome, Tullio Serafin | A Major | 1 | 11B | 96 BPM | ||
Addio del passato (From the Opera "Traviata") - Lisbonne 1958 | Maria Callas, Orchestre Sinfónica Nacional, Franco Ghione | F Major | 1 | 7B | 165 BPM | ||
Ponchielli: La Gioconda, Act 2: "Là attesi e il tempo colsi" (Gioconda, Laura) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Fiorenza Cossotto, Orchestra Del Teatro Alla Scala, Milano | D♭ Major | 2 | 3B | 82 BPM | ||
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth | Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 86 BPM | ||
Il Turco in Italia (1997 - Remaster), Act I: Non si da follia maggiore | Gioachino Rossini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala Di Milan | A♭ Major | 1 | 4B | 116 BPM | ||
Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM |
Section: 0.8268871307373047
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