"Glory to the Father (Only-Begotten)" by Nikolay Golovanov, Tenebrae, Nigel Short was released on January 6, 2014. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Russian Treasures". In this album, this song's track order is #7. Glory to the Father (Only-Begotten) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Glory to the Father (Only-Begotten) by Nikolay Golovanov, Tenebrae, Nigel Short having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Cloths Of Heaven | Rebecca Dale, Robert Frost, Victoria Meteyard, Richard Harwood, Ben Dawson, Tenebrae, Nigel Short, Philharmonia Orchestra | G Major | 1 | 9B | 82 BPM | ||
I Sat Down Under His Shadow | Edward Bairstow, Westminster Choir, Joe Miller | E Major | 0 | 12B | 135 BPM | ||
Three Latin Motets: II. Ave, Maria | Cecilia McDowall, Phoenix Chorale, Charles Bruffy | B Major | 1 | 1B | 134 BPM | ||
Requiem canticorum: Alleluia | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 0 | 7B | 63 BPM | ||
The Lake Isle | Ola Gjeilo, Tenebrae, Kristian Kvalvaag, Thomas Gould, Ciaran McCabe, Jon Thorne, Matthew Sharp | A Major | 1 | 11B | 91 BPM | ||
Aequali No. 1, WAB 114 | Anton Bruckner, Mark Templeton, Helen Vollam, Patrick Jackman, Nigel Short | C Minor | 0 | 5A | 69 BPM | ||
Jesu, the Very Thought of Thee | Edward Bairstow, York Minster Choir, Philip Moore | E♭ Major | 0 | 5B | 78 BPM | ||
Wie liegt die Stadt so wust | Rudolf Mauersberger, Sospiri, Christopher Watson | B♭ Minor | 0 | 3A | 145 BPM | ||
Ubi Caritas II (Through Infinite Ages) | Ola Gjeilo, Westminster Williamson Voices, James Jordan | C Major | 1 | 8B | 138 BPM | ||
Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 2 | 5B | 122 BPM |
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