Rolf Schweizer made "Die Flötenuhr, 1792: IX. Allegro moderato" available on 1991. With Die Flötenuhr, 1792: IX. Allegro moderato being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Slovak Philharmonic, Caspar Da Salo Quartet's "Music For The Millions Vol. 37 - Joseph Haydn" album is number 13 out of 23. Based on our statistics, Die Flötenuhr, 1792: IX. Allegro moderato's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Die Flötenuhr, 1792: IX. Allegro moderato by Rolf Schweizer to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 2. Hosanna in excelsis | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | F♯ Minor | 1 | 11A | 77 BPM | ||
Ich fahre auf zu meinem Vater, TWV 1:825: II. Recitative "Was sollt ich dieses nicht im Glauben hoffen" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, Raphael Höhn | F♯ Major | 2 | 2B | 137 BPM | ||
Kyrie de quarti toni | Francesc Valls i Galan, Henry Moderlak, Joan Boronat Sanz, Carla Brunet | D♭ Major | 1 | 3B | 73 BPM | ||
Die Schöpfung, Hob XXI:2, Part II: Die Schöpfung, Hob XXI:2, Part II: No. 26, Vollendet ist das große Werk | Joseph Haydn, Dresdner Philharmonie, Marek Janowski, Christiane Karg, Benjamin Bruns, Tareq Nazmi, MDR Leipzig Radio Choir | B♭ Major | 1 | 6B | 116 BPM | ||
Pseaume 68 (Exurget Deus, a6) | Samuel Scheidt, The Royal Wind Music, Paul Leenhouts | B♭ Minor | 0 | 3A | 101 BPM | ||
Ich fahre auf zu meinem Vater, TWV 1:825: VIII. Choral "Amen, komm du schöne Freudenkrone" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier | F♯ Major | 2 | 2B | 137 BPM | ||
The Lord is a sun and a shield: No. 3, Chorus "For the king trusteth in the Lord" | William Croft, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 84 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 1. Lux aeterna luceat eis Domine | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | C Minor | 1 | 5A | 82 BPM | ||
Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | George Frideric Handel, Johanna Winkel, Viktoria Wilson, Alex Potter, Hugo Hymas, Andreas Wolf, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Hiob, Kantate für Chor und Orchester: III. Chor | Fanny Mendelssohn, Kammerchor der Universität Dortmund, Willi Gundlach | B Major | 0 | 1B | 174 BPM |
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