William Croft, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle's 'The Lord is a sun and a shield: No. 3, Chorus "For the king trusteth in the Lord"' came out on April 28, 2023. With The Lord is a sun and a shield: No. 3, Chorus "For the king trusteth in the Lord" being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle's "Handel: Coronation Anthems" album is number 7 out of 22. On top of that, France appears to be the country where this track was created. The Lord is a sun and a shield: No. 3, Chorus "For the king trusteth in the Lord" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Lord is a sun and a shield: No. 3, Chorus "For the king trusteth in the Lord" by William Croft, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": V. Andante "Ich harrete des Herrn" | Felix Mendelssohn, Christiane Karg, Maria Bernius, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart | F Major | 4 | 7B | 84 BPM | ||
Buxtehude: Ich bin die Auferstehung und das Leben, BuxWV 44 | Dietrich Buxtehude, Ton Koopman, Peter Kooij, Amsterdam Baroque Orchestra | B Major | 1 | 1B | 87 BPM | ||
Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: Sinfonia - Aus der Tiefen rufe ich, Herr, zu dir (Chorus) | Johann Sebastian Bach, Maximilian Kiener, Franz Schlecht, Arcis-Vocalisten Munich, L'arpa Festante, Thomas Gropper | E Minor | 2 | 9A | 138 BPM | ||
Le tenebre vinte (Coro) | Andrea Bernasconi, Dorothee Oberlinger, Ensemble 1700 | F♯ Major | 2 | 2B | 144 BPM | ||
Concerto grosso No. 4 in F Major: I. Adagio | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | F♯ Minor | 1 | 11A | 63 BPM | ||
Croesus: ACT I, Scene 1, "Croesus herrsche, Croesus lebe" (Coro) | Reinhard Keiser, René Jacobs, RIAS Kammerchor, Akademie für Alte Musik Berlin | D♭ Major | 3 | 3B | 108 BPM | ||
Orfeo: Aria : "Dall'amor più sventurato" | Nicola Porpora, Akademie für Alte Musik Berlin, René Jacobs, Vivica Genaux | C Minor | 0 | 5A | 88 BPM | ||
Brockes-Passion, TWV 5:1, Teil I: No. 9, Choral "Ach, wie hungert mein Gemüte" | Georg Philipp Telemann, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | A Major | 1 | 11B | 81 BPM | ||
Concerto in C major, RV 114: II. Ciaccona | Antonio Vivaldi, Jean-Guihen Queyras, Akademie für Alte Musik Berlin, Georg Kallweit | B Major | 2 | 1B | 79 BPM | ||
Burial Service: I am the resurrection | William Croft, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | D♭ Minor | 2 | 12A | 83 BPM |
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