"Porgy And Bess Suite" by New Zealand Symphony Orchestra, George Gershwin was released on April 14, 2002. Porgy And Bess Suite appears to be safe for all ages as it is not explicit. The track order of this song in New Zealand Symphony Orchestra's "Gershwin: An American In Paris / Porgy And Bess" album is number 4 out of 4. On top of that, Hong Kong appears to be the country where this track was created. Porgy And Bess Suite is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Porgy And Bess Suite by New Zealand Symphony Orchestra, George Gershwin to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scenes napolitaines, "Suite No. 5": II. La procession | Jules Massenet, New Zealand Symphony Orchestra, Jean-Yves Ossonce | G Major | 4 | 9B | 136 BPM | ||
Welcome Home | Dave Dobbyn, Elizabeth Marvelly, New Zealand Symphony Orchestra | B♭ Major | 3 | 6B | 140 BPM | ||
Variation 1: L'istesso tempo | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Major | 0 | 11B | 52 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | F Major | 2 | 7B | 72 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Scenes alsaciennes, "Suite No. 7": II. Au cabaret | Jules Massenet, New Zealand Symphony Orchestra, Jean-Yves Ossonce | G Major | 4 | 9B | 136 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
Theme, Variations & Finale, Op. 13A: Finale | Miklos Rozsa, James Sedares, New Zealand Symphony Orchestra | G Minor | 2 | 6A | 122 BPM | ||
St. Paul's Suite, Op. 29, No. 2: IV. Finale, "The Dargason" | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 3 | 8B | 80 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM |
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