"O God, the king of glory" by Orlando Gibbons, Oxford Camerata, Jeremy Summerly had its release date on January 31, 1996. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Orlando Gibbons's "Gibbons: Choral and Organ Music" album is number 15 out of 16. O God, the king of glory is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O God, the king of glory by Orlando Gibbons, Oxford Camerata, Jeremy Summerly to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa Della Domenica: Kyrye II | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | D♭ Major | 2 | 3B | 130 BPM | ||
Petite messe solennelle: II. Kyrie. Christe eleison | Gioachino Rossini, Giulio Prandi, Coro Ghislieri | A Minor | 0 | 8A | 172 BPM | ||
Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: II. Lasset uns. Wenig bewegter | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | D♭ Major | 2 | 3B | 176 BPM | ||
Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C | Henry Purcell, John Eliot Gardiner, The Monteverdi Choir, English Baroque Soloists | F♯ Minor | 1 | 11A | 118 BPM | ||
A lieta vita (Sing and we chant it) | Thomas Morley, The Musicians of Swanne Alley | F♯ Major | 1 | 2B | 103 BPM | ||
Terpsichore*: Gaillarde | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 0 | 8B | 118 BPM | ||
Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | ||
Tu Pauperum Refugium | Josquin des Prez, Voices of Ascension Chorus, Dennis Keene | A Minor | 0 | 8A | 83 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
2nd Book of Madrigals for five Parts: Ecco mormorar l'onde | Claudio Monteverdi, Hallenser Madrigalisten, Andreas Göpfert | C Minor | 1 | 5A | 87 BPM |