"2nd Book of Madrigals for five Parts: Ecco mormorar l'onde" by Claudio Monteverdi, Hallenser Madrigalisten, Andreas Göpfert was released on January 1, 1989. The duration of 2nd Book of Madrigals for five Parts: Ecco mormorar l'onde is about 3 minutes long, at 3:01. Based on our data, "2nd Book of Madrigals for five Parts: Ecco mormorar l'onde" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Hallenser Madrigalisten, Andreas Göpfert's "La bella Ninfa (Europäische Madrigale um 1600)" album is number 6 out of 27. On top of that, Germany appears to be the country where this track was created. 2nd Book of Madrigals for five Parts: Ecco mormorar l'onde is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 2nd Book of Madrigals for five Parts: Ecco mormorar l'onde by Claudio Monteverdi, Hallenser Madrigalisten, Andreas Göpfert to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Deutsche Messe, D. 872: III. Zum Evangelium und Credo. Nicht zu langsam | Franz Schubert, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
Tallis: Spem in Alium - 3. Respice | The Tallis Scholars, Peter Phillips | B Minor | 1 | 10A | 140 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | ||
Cantate Domino (Motette): 2011 | Josu Elberdin, Stephanie Arden, Marianne Zabel, Kammerchor I Vocalisti, Hans-Joachim Lustig | A Major | 1 | 11B | 99 BPM | ||
Vespers, Op. 37: Glory to God in the Highest | Sergei Rachmaninoff, Yuri Korinnyk, Mykhaylo Tyshchenko, Olga Borusene, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 89 BPM | ||
The Sweetheart of the Sun | Eric William Barnum, Choral Arts, Robert Bode | D Major | 1 | 10B | 74 BPM | ||
All-night Vigil, Op. 37, "Vespers": Beginning song: Come let us worship | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 81 BPM | ||
Requiem: Psalm 121 | Herbert Howells, Conspirare, Craig Hella Johnson | B Minor | 0 | 10A | 65 BPM | ||
Magnificat in D Major, BWV 243: XI. Sicut locutus est | Johann Sebastian Bach, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent | D♭ Major | 1 | 3B | 76 BPM | ||
Quel augellin che canta | Claudio Monteverdi, Emma Kirkby, Joseph Cornwell, Anthony Rooley, Simon Grant, Andrew King, Evelyn Tubb | G Minor | 0 | 6A | 108 BPM |
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