"Piazzolla: Four Seasons in Buenos Aires, Otono Porteno" by Polish Radio Symphony Orchestra was released on January 1, 2011. Piazzolla: Four Seasons in Buenos Aires, Otono Porteno is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. There are a total of 365 in the song's album "The Year". In this album, this song's track order is #86. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Piazzolla: Four Seasons in Buenos Aires, Otono Porteno's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piazzolla: Four Seasons in Buenos Aires, Otono Porteno by Polish Radio Symphony Orchestra having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Gadfly Suite, Op. 97: VIII. Romance | Dmitri Shostakovich, Vassily Sinaisky, BBC Philharmonic | D♭ Major | 0 | 3B | 76 BPM | ||
Symphony No.2 in C Minor "Elegijna": IV. Finale, Poco adagio - Allegro assai, Vivace | Zygmunt Noskowski, Polish Radio Symphony Orchestra, Łukasz Borowicz | C Minor | 2 | 5A | 118 BPM | ||
Debussy / Arr. Roelens: Suite bergamasque, CD 82, L. 75: III. Clair de lune | Claude Debussy, David Oistrakh, Vladimir Yampolsky | D♭ Major | 0 | 3B | 93 BPM | ||
L'Hirondelle inattendue: 17. Ah! Laissez moi partir | Szymon Laks, Henri Lemarchand, Polish Radio Symphony Orchestra, Polish Radio Choir, Łukasz Borowicz | B♭ Major | 5 | 6B | 94 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": 4. Excerpt: An die Freude - Live | Ludwig van Beethoven, Friedrich Schiller, Sydney Philharmonia Motet Choir, Sydney Philharmonia Symphonic Choir, Antony Walker, Sydney Philharmoinia Orchestra | G Major | 4 | 9B | 102 BPM | ||
Chamber Symphony: III. Allegro con brio | Joachim Mendelson, Polish Radio Symphony Orchestra, Jürgen Bruns | C Major | 1 | 8B | 99 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Daniel Barenboim, Jacqueline du Pré, Philadelphia Orchestra | B♭ Major | 0 | 6B | 96 BPM | ||
Emanations for Two String Orchestras - 1995 Remastered Version | Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Nationales Polnisches Rundfunksinfonieorchester, Polish Radio Symphony Orchestra | C Major | 3 | 8B | 74 BPM | ||
Sinfonia rustica, "Symphony No. 1": III. Con espressione: Adagio (first version) | Andrzej Panufnik, Polish Radio Symphony Orchestra, Łukasz Borowicz | B Minor | 0 | 10A | 86 BPM | ||
Sibelius: 2 Pieces from Kuolema, Op. 44: No. 1, Valse triste | Jean Sibelius, The Norwegian Radio Orchestra, Ari Rasilainen | D Minor | 2 | 7A | 90 BPM |
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