"Sinfonia rustica, "Symphony No. 1": III. Con espressione: Adagio (first version)" by Andrzej Panufnik, Polish Radio Symphony Orchestra, Łukasz Borowicz was released on July 1, 2014. Sinfonia rustica, "Symphony No. 1": III. Con espressione: Adagio (first version) is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Panufnik: Symphonic Works, Vol. 2". In this album, this song's track order is #5. Sinfonia rustica, "Symphony No. 1": III. Con espressione: Adagio (first version) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sinfonia rustica, "Symphony No. 1": III. Con espressione: Adagio (first version) by Andrzej Panufnik, Polish Radio Symphony Orchestra, Łukasz Borowicz having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
6 Pastoral Dances, Op. 40: No. 2. Waltz | Arnold Rosner, London Philharmonic Orchestra, David Amos | A Minor | 0 | 8A | 178 BPM | ||
Fountains of Rome, P. 106: I. The Fountain of Valle Giulia at Dawn | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | C Major | 0 | 8B | 60 BPM | ||
Flight of the Bumblebee | Gamazda | B♭ Major | 2 | 6B | 89 BPM | ||
Prometheus: IV. According to the Fourth... | Geoffrey Gordon, Philharmonia Orchestra, Martyn Brabbins, Laurent Ben Slimane | F Minor | 0 | 4A | 99 BPM | ||
Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": II. Aria | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | F Minor | 0 | 4A | 68 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 2: I go before my Judge | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence, Anna Stephany | D Major | 0 | 10B | 85 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Love Song (Version for Cello & Piano) | Andrzej Panufnik, Kacper Nowak, Łukasz Krupiński | A♭ Major | 0 | 4B | 93 BPM | ||
Aria for String Quartet, Op. 9 | Mieczysław Weinberg, NOVO Quartet | G Minor | 0 | 6A | 103 BPM |
Section: 0.8128104209899902
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