"Sibelius: 2 Pieces from Kuolema, Op. 44: No. 1, Valse triste" by Jean Sibelius, The Norwegian Radio Orchestra, Ari Rasilainen was released on November 10, 1995. With this song being about 5 minutes long, at 5:23, "Sibelius: 2 Pieces from Kuolema, Op. 44: No. 1, Valse triste" by Jean Sibelius, The Norwegian Radio Orchestra, Ari Rasilainen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Nordic Rhapsody". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Finland. In terms of popularity, Sibelius: 2 Pieces from Kuolema, Op. 44: No. 1, Valse triste is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sibelius: 2 Pieces from Kuolema, Op. 44: No. 1, Valse triste by Jean Sibelius, The Norwegian Radio Orchestra, Ari Rasilainen having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slavonic Dances, Op. 72, B. 147: No. 2, Dumka | Antonín Dvořák, George Szell, Cleveland Orchestra | C Major | 2 | 8B | 101 BPM | ||
Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Philharmonia Orchestra, Sir Simon Rattle | F Minor | 0 | 4A | 80 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Merikanto : Valse lente | Oskar Merikanto, The Norwegian Radio Orchestra, Ari Rasilainen | B♭ Major | 1 | 6B | 94 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 1b. Poco adagio | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 81 BPM | ||
Violin Concerto, Op. 14: II. Andante | Samuel Barber, James Buswell, Royal Scottish National Orchestra, Marin Alsop | E Major | 0 | 12B | 82 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Grieg: Peer Gynt Suite No. 2, Op. 55: I. The Abduction of the Bride - Ingrid's Lament | Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen | G Major | 1 | 9B | 134 BPM | ||
Le carnaval des animaux (The Carnival of the Animals): Le cygne (The Swan) | Stockholm Chamber Duo | E Major | 1 | 12B | 119 BPM | ||
Introduction and Variations on a Swedish Song for Clarinet and Orchestra, Op. 12 | Bernhard Henrik Crusell, Martin Fröst, Royal Stockholm Philharmonic Orchestra | B♭ Major | 2 | 6B | 141 BPM |
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