Szymon Laks, Henri Lemarchand, Polish Radio Symphony Orchestra, Polish Radio Choir, Łukasz Borowicz made "L'Hirondelle inattendue: 17. Ah! Laissez moi partir" available on 2011. The duration of L'Hirondelle inattendue: 17. Ah! Laissez moi partir is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. L'Hirondelle inattendue: 17. Ah! Laissez moi partir's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Poland Abroad, Vol. 4 - Opera and Ballet". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. In terms of popularity, L'Hirondelle inattendue: 17. Ah! Laissez moi partir is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With L'Hirondelle inattendue: 17. Ah! Laissez moi partir by Szymon Laks, Henri Lemarchand, Polish Radio Symphony Orchestra, Polish Radio Choir, Łukasz Borowicz having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes, Op. 32: I. Andante sostenuto (Arr. for Cello & Piano by Julian Riem) | Frédéric Chopin, Olga Scheps, Raphaela Gromes | E♭ Major | 1 | 5B | 170 BPM | ||
Cantabile in D Major, Op. 17 | Niccolò Paganini, 東 亮汰, 髙木竜馬 | G Minor | 1 | 6A | 90 BPM | ||
5 Piano Pieces Op. 3, TrV 105: No. 4, Allegro molto | Richard Strauss, Guillaume Bellom | G Minor | 0 | 6A | 68 BPM | ||
Ten songs: Embraceable you | George Gershwin, Pietro Beltrani, Daniele Negrini, Tiziano Guerzoni, Tommaso Ussardi, Orchestra Senzaspine | E♭ Major | 0 | 5B | 84 BPM | ||
The Algot Waltz | Christian Schittenhelm, Peter Jablonski | G Major | 2 | 9B | 77 BPM | ||
Piano Trio in G Major, CD 5: II. Scherzo – Intermezzo. Moderato con allegro | Claude Debussy, Florestan Trio | A♭ Major | 1 | 4B | 118 BPM | ||
Variations on a Theme of Chopin, Op. 22: Variation 22 | Sergei Rachmaninoff, Park Eun Shik | B♭ Major | 0 | 6B | 78 BPM | ||
6 Preludes: No. 3 | Paul Bowles, Lara Downes | F Minor | 0 | 4A | 113 BPM | ||
Berceuse, Op. 57, in D-Flat Major - Duo-Art 7066 | Frédéric Chopin, Peter Phillips, Josef Hofmann | B♭ Major | 0 | 6B | 93 BPM | ||
Summertime Variations: Var. 2 | Claudio Constantini | E Minor | 1 | 9A | 173 BPM |
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