"Pur ti Miro from 'L'incoronazione di Poppea" by Claudio Monteverdi, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields was released on October 10, 2003. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Romance of the Violin". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. In terms of popularity, Pur ti Miro from 'L'incoronazione di Poppea is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pur ti Miro from 'L'incoronazione di Poppea by Claudio Monteverdi, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
L'incoronazione di Poppea / Act 3: Pur ti miro | Claudio Monteverdi, Danielle de Niese, Andreas Scholl, The English Concert, Harry Bicket | A Major | 1 | 11B | 100 BPM | ||
Missa "Mille Regretz": Agnus Dei I (Morales) | The Hilliard Ensemble | A Minor | 2 | 8A | 72 BPM | ||
Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] | William Christie | F Minor | 1 | 4A | 94 BPM | ||
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Scherzi musicali: Damigella tutta bella, SV 235 | Claudio Monteverdi, Magdalena Kozená, David Feldman, Luca Tittoto, La Cetra Barockorchester Basel, Andrea Marcon | B♭ Major | 3 | 6B | 136 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Charpentier: Sans frayeur dans ce bois, H. 467 | Marc-Antoine Charpentier, Jean Rondeau, Lea Desandre, Myriam Rignol | F♯ Major | 1 | 2B | 139 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM |
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