Silvius Leopold Weiss, Michel Cardin made "Sonata No. 3 in G Minor, WeissSW 3: IV. Bouree" available on January 1, 2015. The duration of Sonata No. 3 in G Minor, WeissSW 3: IV. Bouree is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Sonata No. 3 in G Minor, WeissSW 3: IV. Bouree's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weiss: The Complete London Manuscript by Silvius Leopold Weiss, Michel Cardin. The song's track number on the album is #18 out of 231 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. The popularity of Sonata No. 3 in G Minor, WeissSW 3: IV. Bouree is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Sonata No. 3 in G Minor, WeissSW 3: IV. Bouree by Silvius Leopold Weiss, Michel Cardin has a tempo of 179 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Sonata No. 3 in G Minor, WeissSW 3: IV. Bouree being at 179 BPM, the half-time would be 90 BPM with a double-time of 358 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in C Major, TWV 42:C2: I. Dolce | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | B Major | 0 | 1B | 94 BPM | ||
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM | ||
Folias | Francesco Corbetta, Pierre Pitzl, Private Musicke | B Major | 0 | 1B | 115 BPM | ||
Lute Sonata No. 11 in D Minor: IV. Bourree | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 153 BPM | ||
Pieces in D Minor: IV. Contredance La Furstemberg | Henry Purcell, Jakob Lindberg | D Minor | 0 | 7A | 93 BPM | ||
Lute Sonata in A Major (from Manoscritto di Dresda No. 17): I. Prelude | Silvius Leopold Weiss, Virginio Fadda | G Major | 1 | 9B | 87 BPM | ||
Suite in C Minor from Pieces de luth Premier Liure: I. Prelude | Charles Mouton, Anders Ericson | F♯ Minor | 1 | 11A | 93 BPM | ||
Le Rossignol en Amour | François Couperin, Dorothee Oberlinger | D♭ Major | 0 | 3B | 84 BPM | ||
A Ground in D Minor for Recorder | Godfrey Finger, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Marq | D Major | 0 | 10B | 102 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM |
Section: 0.5946671962738037
End: 0.5986208915710449