Lute Sonata in A Major (from Manoscritto di Dresda No. 17): I. Prelude
Silvius Leopold Weiss, Virginio Fadda
Lute & Baroque Guitar at the European Courts
1:19 February 1, 2015
BPM
87
Key
G Major
Camelot
9B

Embed

Share Link

Lute Sonata in A Major (from Manoscritto di Dresda No. 17): I. Prelude - Silvius Leopold Weiss, Virginio Fadda Information

Acousticness
99%
Danceability
30%
Energy
14%
Instrumentalness
93%
Liveness
10%
Loudness
54%
Speechiness
5%
Valence
22%
Popularity
Loudness
-27.605 dB

Summary

Silvius Leopold Weiss, Virginio Fadda's 'Lute Sonata in A Major (from Manoscritto di Dresda No. 17): I. Prelude' came out on February 1, 2015. With Lute Sonata in A Major (from Manoscritto di Dresda No. 17): I. Prelude being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Virginio Fadda's "Lute & Baroque Guitar at the European Courts" album is number 9 out of 24. Lute Sonata in A Major (from Manoscritto di Dresda No. 17): I. Prelude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Lute Sonata in A Major (from Manoscritto di Dresda No. 17): I. Prelude BPM

We consider the tempo marking of Lute Sonata in A Major (from Manoscritto di Dresda No. 17): I. Prelude by Silvius Leopold Weiss, Virginio Fadda to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.

Lute Sonata in A Major (from Manoscritto di Dresda No. 17): I. Prelude Key

This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Study by Mauro Giuliani, Adán Dominguez LinaresStudyMauro Giuliani, Adán Dominguez LinaresG Major09B113 BPM
Adieu mes Amours by Josquin des Prez, Los Angeles Guitar QuartetAdieu mes AmoursJosquin des Prez, Los Angeles Guitar QuartetD Minor17A73 BPM
Prelude in D Major by Silvius Leopold Weiss, Lutz KirchhofPrelude in D MajorSilvius Leopold Weiss, Lutz KirchhofA♭ Major34B76 BPM
Allemande by Adam Falckenhagen, Andrew MaginleyAllemandeAdam Falckenhagen, Andrew MaginleyA♭ Minor21A92 BPM
Concertina Etude in B-Flat Major (Transcr. D. Starobin) by Giulio Regondi, David StarobinConcertina Etude in B-Flat Major (Transcr. D. Starobin)Giulio Regondi, David StarobinA Major111B76 BPM
25 Etudes, Op.60: No.5 by Matteo Carcassi, Paco Hallak25 Etudes, Op.60: No.5Matteo Carcassi, Paco HallakG Major29B79 BPM
Suite Mágica: I. Preludio by Maximo Diego Pujol, Duo MulticordeSuite Mágica: I. PreludioMaximo Diego Pujol, Duo MulticordeB Minor110A105 BPM
Lute Sonata No. 6: I. Alemanda by Giovanni Zamboni, Luciano CòntiniLute Sonata No. 6: I. AlemandaGiovanni Zamboni, Luciano CòntiniA♭ Minor01A112 BPM
Het Weidse Land by Janco de LeeuwHet Weidse LandJanco de LeeuwE Minor39A114 BPM
Suite in B-flat Major: I. Prelude by Silvius Leopold Weiss, Lutz KirchhofSuite in B-flat Major: I. PreludeSilvius Leopold Weiss, Lutz KirchhofA Major111B211 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5344715118408203

End: 0.5393483638763428