Henry Purcell, Jakob Lindberg's 'Pieces in D Minor: IV. Contredance La Furstemberg' came out on May 17, 2024. The duration of Pieces in D Minor: IV. Contredance La Furstemberg is about 3 minutes long, at 3:16. Based on our data, "Pieces in D Minor: IV. Contredance La Furstemberg" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 32 in the song's album "Robert de Visée: Theorbo Solos". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Pieces in D Minor: IV. Contredance La Furstemberg is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Pieces in D Minor: IV. Contredance La Furstemberg by Henry Purcell, Jakob Lindberg having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Baryton Trio in A Major, Hob. XI:71: III. Finale. Allegro di molto | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM | ||
Toccata - Corrente | Giovanni Girolamo Kapsberger, Jakob Lindberg | B Minor | 2 | 10A | 46 BPM | ||
Lute Sonata No. 6: III. Sarabanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 89 BPM | ||
Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Acis et Galatée, LWV 73: Passacaille | Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Concerto for 2 Oboes, Strings and String Orchestra in C Major, Op. 7 No. 2: II. Adagio | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | C Major | 2 | 8B | 153 BPM | ||
Sonata No. 1: II. Adagio | Carl Friedrich Abel, Petr Hejny | A♭ Major | 0 | 4B | 175 BPM | ||
Suite in A Minor: VII. Chaconne | Robert de Visée, Jakob Lindberg | A♭ Minor | 1 | 1A | 137 BPM | ||
Concerto VII in F Major: IV. Allegro | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Dido and Aeneas, Z. 626: Act II Scene 1: Prelude for the Witches | Henry Purcell, Kirsten Flagstad, Elisabeth Schwarzkopf, Eilidh McNab, Arda Mandikian, Sheila Rex, Anna Pollak, Thomas Hemsley, David Lloyd, Mermaid Singers, Mermaid Orchestra, Geraint Jones | B♭ Major | 1 | 6B | 93 BPM |
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