"Symphony No. 2: II. Molto tranquillo" by Karl-Birger Blomdahl, Swedish Radio Symphony Orchestra, Leif Segerstam was released on January 31, 1994. Symphony No. 2: II. Molto tranquillo appears to be safe for all ages as it is not explicit. The song is number 5 out of 7 in Blomdahl: Symphonies Nos. 1-3 by Karl-Birger Blomdahl, Swedish Radio Symphony Orchestra, Leif Segerstam. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Symphony No. 2: II. Molto tranquillo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 2: II. Molto tranquillo by Karl-Birger Blomdahl, Swedish Radio Symphony Orchestra, Leif Segerstam is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot / Act 3: "Del primo pianto...Più grande vittoria non voler" | Giacomo Puccini, Dame Joan Sutherland, Luciano Pavarotti, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 2 | 2A | 85 BPM | ||
Grande messe des morts, H 75: IV. Rex tremendae | Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis, London Philharmonic Choir | E Major | 1 | 12B | 76 BPM | ||
Fantastic Dance | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | G Major | 1 | 9B | 72 BPM | ||
Requiem: XIII. Sanctus | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra | F Major | 1 | 7B | 117 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
Elgar: Sea Pictures, Op. 37: No. 3, A Sabbath Morning at Sea | Edward Elgar, Janet Baker, London Symphony Orchestra, Sir John Barbirolli | C Major | 1 | 8B | 86 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Hungarian Dance No.3 In F Major, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 77 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM |
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