"Adriana Lecouvreur / Act 4: Poveri fiori, gemme de'prati" by Francesco Cilea, Renata Tebaldi, Giulio Fioravanti, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana was released on January 1, 1962. Adriana Lecouvreur / Act 4: Poveri fiori, gemme de'prati appears to be safe for all ages as it is not explicit. The song is number 16 out of 35 in Cilea: Adriana Lecouvreur by Francesco Cilea, Renata Tebaldi, Mario del Monaco, Giulietta Simionato, Giulio Fioravanti, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana. Adriana Lecouvreur / Act 4: Poveri fiori, gemme de'prati is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adriana Lecouvreur / Act 4: Poveri fiori, gemme de'prati by Francesco Cilea, Renata Tebaldi, Giulio Fioravanti, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM | ||
Carmen / Act 1: "Près des remparts de Séville" | Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 83 BPM | ||
Otello: Ave Maria (Atto IV) | Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno, Elizabeth Bainbridge | A♭ Major | 0 | 4B | 88 BPM | ||
Cavalleria rusticana: "Ah! lo vedi, che hai tu detto?" | Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Minor | 3 | 4A | 133 BPM | ||
Il barbiere di Siviglia / Act 1: Cavatina: "Ecco, ridente in cielo" | Gioachino Rossini, Ugo Benelli, Dino Mantovani, Coro del Teatro di San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | G Major | 3 | 9B | 129 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM | ||
Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
"Io son l'umile ancella" | Francesco Cilea, Montserrat Caballé, Gianfranco Masini | A♭ Major | 1 | 4B | 107 BPM | ||
Così fan tutte, K. 588 / Act 1: "Un'aura amorosa" | Wolfgang Amadeus Mozart, Luciano Pavarotti, Sir John Pritchard, Wiener Philharmoniker | E Major | 2 | 12B | 124 BPM |
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