Antonio Vivaldi, Nils-Erik Sparf, Jakob Lindberg, Drottningholm Baroque Ensemble's 'Trio Sonata in G Minor, RV 85: III. Allegro' had a release date set for June 1, 2004. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Trio Sonata in G Minor, RV 85: III. Allegro's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Complete Works for the Italian Lute by Antonio Vivaldi, Jakob Lindberg, Drottningholm Baroque Ensemble. The song's track number on the album is #6 out of 12 tracks. Based on our data, Sweden was the country where this track was produced or recorded. In terms of popularity, Trio Sonata in G Minor, RV 85: III. Allegro is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Trio Sonata in G Minor, RV 85: III. Allegro by Antonio Vivaldi, Nils-Erik Sparf, Jakob Lindberg, Drottningholm Baroque Ensemble has a tempo of 117 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Trio Sonata in G Minor, RV 85: III. Allegro being at 117 BPM, the half-time would be 58 BPM with a double-time of 234 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Summer (L'Estate) Op.8 No.2 G Minor: Adagio | Baroque Festival Orchestra, Alberto Lizzio | G Minor | 0 | 6A | 83 BPM | ||
Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 3. Allegro | Antonio Vivaldi, Tom Finucane, New London Consort, Philip Pickett | D♭ Major | 1 | 3B | 117 BPM | ||
Violin Concerto in B Minor, Op. 3 No. 10, RV. 580: I. Allegro | Yehudi Menuhin | C Major | 2 | 8B | 74 BPM | ||
Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di valse | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | A Major | 1 | 11B | 0 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM |