"Summer (L'Estate) Op.8 No.2 G Minor: Adagio" by Baroque Festival Orchestra, Alberto Lizzio was released on July 1, 1994. The duration of Summer (L'Estate) Op.8 No.2 G Minor: Adagio is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Summer (L'Estate) Op.8 No.2 G Minor: Adagio's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi - The Four Seasons by Baroque Festival Orchestra, I Musici Di San Marco, Alberto Lizzio. The song's track number on the album is #5 out of 18 tracks. Summer (L'Estate) Op.8 No.2 G Minor: Adagio is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Summer (L'Estate) Op.8 No.2 G Minor: Adagio by Baroque Festival Orchestra, Alberto Lizzio has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Summer (L'Estate) Op.8 No.2 G Minor: Adagio being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in A Minor, BWV 1041: I. Allegro | Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | A Minor | 3 | 8A | 106 BPM | ||
Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Itzhak Perlman | G Minor | 2 | 6A | 109 BPM | ||
Sonata for Violin and Guitar in E Minor, Op. 3, No. 6, MS 27: II. Allegro vivo | Niccolò Paganini, Scott St. John, Simon Wynberg | E Major | 3 | 12B | 66 BPM | ||
Prelude in C# Minor (Op. 3 No. 2) | Rousseau | D♭ Minor | 3 | 12A | 86 BPM | ||
Paganiniana (Variations) For Violin Solo | Nathan Milstein | A Minor | 1 | 8A | 104 BPM | ||
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
Paganini Caprice no. 5 | Neil Black | B♭ Minor | 5 | 3A | 84 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Sérénade mélancolique, Op. 26: Serenade melancolique (Melancholy Serenade), Op. 26 | Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky | B♭ Minor | 1 | 3A | 88 BPM |
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