"Vocalise - Étude (en forme de habañera)" by Maurice Ravel, Mischa Maisky, Daria Hovora was released on January 1, 1999. The duration of Vocalise - Étude (en forme de habañera) is about 3 minutes long, at 3:29. Based on our data, "Vocalise - Étude (en forme de habañera)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mischa Maisky, Daria Hovora's "Mischa Maisky - Après un rêve" album is number 9 out of 23. In terms of popularity, Vocalise - Étude (en forme de habañera) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vocalise - Étude (en forme de habañera) by Maurice Ravel, Mischa Maisky, Daria Hovora to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Feldeinsamkeit, Op. 86, No. 2 | Johannes Brahms, Mischa Maisky, Pavel Gililov | G Major | 0 | 9B | 72 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | ||
Guitarre, Op. 45 No. 2 | Moritz Moszkowski, Mela Tenenbaum, Anton Nel | G Major | 1 | 9B | 123 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits (Melody in B minor) | Christoph Willibald Gluck, Lynn Harrell, Concertgebouw Chamber Orchestra | B Minor | 1 | 10A | 68 BPM | ||
Kinderszenen, Op.15: 2. Kuriose Geschichte | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 66 BPM | ||
Ma mère l'oye, M. 62: Tableau II: Pavane de la Belle au bois dormant | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | E♭ Minor | 1 | 2A | 58 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi minuetto | Johannes Brahms, Mstislav Rostropovich, Rudolf Serkin | E Minor | 1 | 9A | 127 BPM | ||
Humoresque No. 1 in D Minor, Op. 87 | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 94 BPM | ||
Trio No. 40, Op. 73 No. 3 (Hob. XV: 26): Trio No. 40, Op. 73 No. 3 (Hob. XV: 26): II. Adagio | Franz Joseph Haydn, Trio Gaspard | F♯ Major | 0 | 2B | 82 BPM |
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