"Ma mère l'oye, M. 62: Tableau II: Pavane de la Belle au bois dormant" by Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin was released on October 2, 2015. The duration of Ma mère l'oye, M. 62: Tableau II: Pavane de la Belle au bois dormant is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Ma mère l'oye, M. 62: Tableau II: Pavane de la Belle au bois dormant's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Ravel: L'enfant et les sortilèges, M. 71 & Ma mère l'oye, M. 62". In this album, this song's track order is #28. Furthermore, we believe that the track originated from Hong Kong. Ma mère l'oye, M. 62: Tableau II: Pavane de la Belle au bois dormant is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ma mère l'oye, M. 62: Tableau II: Pavane de la Belle au bois dormant by Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin having a BPM of 58 with a half-time of 29 BPM and a double-time of 116 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quintet No. 1 in D Minor, Op. 89: II. Adagio | Gabriel Fauré, Cristina Ortiz, Fine Arts Quartet | D Major | 1 | 10B | 110 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato - | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A♭ Major | 1 | 4B | 149 BPM | ||
Daphnis et Chloé, M. 57 / Première partie: Danse légère et gracieuse de Daphnis - Assez lent - Animé - Vif | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | B♭ Minor | 0 | 3A | 93 BPM | ||
Pelléas et Mélisande, Op. 80: II. La Fileuse | Gabriel Fauré, Zubin Mehta, Israel Philharmonic Orchestra | G Major | 0 | 9B | 87 BPM | ||
4 Pieces, Op. 51: 2. Prélude | Alexander Scriabin, Evgeny Kissin | F Major | 0 | 7B | 75 BPM | ||
Sechs Klavierstücke, Op. 118: I. Intermezzo in A Minor | Johannes Brahms, Arcadi Volodos | C Major | 1 | 8B | 105 BPM | ||
Papillons, Op. 2: XII. Finale | Robert Schumann, Boris Giltburg | D Major | 0 | 10B | 129 BPM | ||
Piano Concerto No. 1 in D Major, Op. 17: 2. Andante sostenuto quasi adagio | Camille Saint-Saëns, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | G Minor | 0 | 6A | 99 BPM | ||
Bartók: String Quartet No. 4 in C Major, Sz. 91: III. Non troppo lento | Béla Bartók, Belcea Quartet | C Major | 0 | 8B | 72 BPM | ||
Nocturne No. 3 in A-Flat Major | John Field, Benjamin Frith | A♭ Major | 0 | 4B | 70 BPM |
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