"Erbarme Dich" by Johann Sebastian Bach, Enoch zu Guttenberg, Claes H. Ahnsjö, Hermann Prey, Christoph Dobmeier, Thomas Hamberger was released on October 7, 1996. Since Erbarme Dich is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 30 in the song's album "Tears From Heaven". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. In terms of popularity, Erbarme Dich is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Erbarme Dich by Johann Sebastian Bach, Enoch zu Guttenberg, Claes H. Ahnsjö, Hermann Prey, Christoph Dobmeier, Thomas Hamberger having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | ||
Requiem In D Minor, K. 626: Offertory: II. Hostias Et Preces | Slovak Philharmonic, Jozef Kundlák, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Slovak Philharmonic Chorus, Jaroslava Horska, Stefan Klimo, Wolfgang Amadeus Mozart | B♭ Major | 1 | 6B | 98 BPM | ||
Verdi: Messa da Requiem - Libera me: VIId. Libera me, Domine | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Berliner Philharmoniker | C Major | 3 | 8B | 113 BPM | ||
Requiem in D Minor, K. 626: 3. Sequentia: Rex tremendae - Live | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | G Minor | 3 | 6A | 108 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Alle Jahre wieder | Friedrich Silcher, Der Bielefelder Kinderchor, Gerhard Bunk | B♭ Major | 1 | 6B | 100 BPM | ||
Nutcracker Suite, Op. 71a, TH. 35 (Arr. by Economou for Piano 4-Hands): IIa. Danses caractéristiques. Marche: Tempo di marcia viva | Pyotr Ilyich Tchaikovsky, Martha Argerich, Nicolas Economou | E Minor | 1 | 9A | 160 BPM | ||
Chi vuol la zingarella (from Zingari in Fiera) | Giovanni Paisiello, Cecilia Bartoli, György Fischer | G Major | 1 | 9B | 80 BPM | ||
Moulinet Polka, Op. 57 | Josef Strauss, Carlos Kleiber, Wiener Philharmoniker | C Major | 2 | 8B | 175 BPM | ||
Johannes-Passion, BWV 245.1: 39. Coro: Ruht wohl, ihr heiligen Gebeine | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin | D Major | 2 | 10B | 172 BPM |
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