On July 2, 2007, the song "Løvenskiold: La Sylphide, Act 2: The Sylphide calls the Sylphs (Moderato)" was released by Herman Løvenskiold, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra. With Løvenskiold: La Sylphide, Act 2: The Sylphide calls the Sylphs (Moderato) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 41 in the song's album "Tchaikovsky: The Nutcracker / Lovenskiold: La Sylphide". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Denmark. In terms of popularity, Løvenskiold: La Sylphide, Act 2: The Sylphide calls the Sylphs (Moderato) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Løvenskiold: La Sylphide, Act 2: The Sylphide calls the Sylphs (Moderato) by Herman Løvenskiold, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bayadère / Act 1: No. 25 Allegro | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | A Major | 1 | 11B | 175 BPM | ||
Swan Lake, Op.20, TH.12 / Act 2: Dance Of The Little Swans | Adelaide Symphony Orchestra, Elyakum Shapirra | F♯ Minor | 2 | 11A | 106 BPM | ||
Gayaneh: Sabre Dance | Aram Khachaturian, Valery Gergiev, Mariinsky Orchestra | C Major | 6 | 8B | 98 BPM | ||
Ritter Pásmán, Op. 441: Csárdás | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | B Minor | 2 | 10A | 167 BPM | ||
Cinderella, Op. 87: 13. Summer Fairy | Sergei Prokofiev, Russian National Orchestra, Mikhail Pletnev | F Minor | 0 | 4A | 116 BPM | ||
Hungarian Dance No.15 In B Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 1 | 6B | 88 BPM | ||
La source, ou Naila: Suite No. 2: Suite No. 2: Scherzo Polka | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E Major | 0 | 12B | 82 BPM | ||
Inocente Galindo | Zarahuato | E♭ Major | 0 | 5B | 79 BPM | ||
The Gadfly Suite, Op. 97a: V. Barrel-Organ Waltz | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | B♭ Major | 1 | 6B | 105 BPM | ||
The Sleeping Beauty, Op.66, TH.13 / Act 1: 6. Valse – Garland Dance (Continued) | Nicolette Fraillon, Orchestra Victoria | B♭ Major | 1 | 6B | 174 BPM |
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