Ludwig Minkus, English Chamber Orchestra, Richard Bonynge made "La Bayadère / Act 1: No. 25 Allegro" available on January 1, 1994. With La Bayadère / Act 1: No. 25 Allegro being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ludwig Minkus, English Chamber Orchestra, Richard Bonynge's "Minkus-Lanchbery: La Bayadère" album is number 23 out of 42. On top of that, United Kingdom appears to be the country where this track was created. The popularity of La Bayadère / Act 1: No. 25 Allegro is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of La Bayadère / Act 1: No. 25 Allegro by Ludwig Minkus, English Chamber Orchestra, Richard Bonynge to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Faust, Ballet Music (1869): 6. Variations du miroir (Allegretto) | Charles Gounod, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 90 BPM | ||
Dido and Aeneas: Overture | Henry Purcell, English Chamber Orchestra, Raymond Leppard | C Minor | 3 | 5A | 147 BPM | ||
Cinderella, Op.87: 13. Summer Fairy | Sergei Prokofiev, Cleveland Orchestra, Vladimir Ashkenazy | F Major | 1 | 7B | 74 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Balletto | Christoph Willibald Gluck, Raymond Leppard, London Philharmonic Orchestra | F Major | 0 | 7B | 82 BPM | ||
Music of the Spheres Waltz, Op. 235 | Josef Strauss, Vienna Volksoper Orchestra | D Major | 1 | 10B | 97 BPM | ||
Giselle / Act 1: Pas de deux des jeunes paysans (Valse) | Adolphe Adam, Franz Burgmüller, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 0 | 1B | 127 BPM | ||
Faust: Waltz | Charles Gounod, Slovak Radio Symphony Orchestra, Richard Hayman | A♭ Major | 1 | 4B | 118 BPM | ||
Carmen, Suite No.1 : II. Aragonaise | Saint Petersburg Orchestra of the State Hermitage Museum Camerata, Alexander Titov | D Minor | 1 | 7A | 118 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 7, Nocturne | Felix Mendelssohn, Rotterdam Philharmonic Orchestra, Jeffrey Tate | G Major | 1 | 9B | 96 BPM | ||
Chopin / Arr. Douglas: Les sylphides: Waltz, Op. 64 No. 2 | Frédéric Chopin, Philharmonia Orchestra, Robert Irving | D♭ Minor | 1 | 12A | 74 BPM |
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