Richard Wagner, Plácido Domingo, Andreas Schmidt, Philharmonia Orchestra, Giuseppe Sinopoli's 'Tannhäuser - Paris version / Act 3: "Dahin zog's mich, wo ich der Wonn und Lust"' came out on January 1, 1989. The duration of Tannhäuser - Paris version / Act 3: "Dahin zog's mich, wo ich der Wonn und Lust" is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Tannhäuser - Paris version / Act 3: "Dahin zog's mich, wo ich der Wonn und Lust"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Tannhäuser by Richard Wagner, Chorus of the Royal Opera House, Covent Garden, Philharmonia Orchestra, Giuseppe Sinopoli. The song's track number on the album is #9 out of 38 tracks. In terms of popularity, Tannhäuser - Paris version / Act 3: "Dahin zog's mich, wo ich der Wonn und Lust" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tannhäuser - Paris version / Act 3: "Dahin zog's mich, wo ich der Wonn und Lust" by Richard Wagner, Plácido Domingo, Andreas Schmidt, Philharmonia Orchestra, Giuseppe Sinopoli has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tannhäuser - Paris version / Act 3: "Dahin zog's mich, wo ich der Wonn und Lust" being at 97 BPM, the half-time would be 48 BPM with a double-time of 194 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spanish Capriccio in A Major, Op. 34: II. Variazioni. Andante con moto | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | E Minor | 1 | 9A | 76 BPM | ||
Der fliegende Holländer, WWV 63: Overture | Richard Wagner, Berliner Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 93 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: I. Introduction | Richard Strauss, London Philharmonic Orchestra, David Bell, Klaus Tennstedt | C Major | 2 | 8B | 82 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Wacht auf, es nahet gen den Tag (Excerpt) | Richard Wagner, Royal Opera Chorus, Bernard Haitink, Orchestra of the Royal Opera House, Covent Garden | A♭ Major | 1 | 4B | 64 BPM | ||
Verdi: Messa da Requiem: I. Introit - Kyrie | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | A Major | 4 | 11B | 126 BPM | ||
Capriccio Espagnol: Variazioni | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | F Major | 1 | 7B | 81 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Requiem: XVI. Libera Me, Dies Irae, Requiem Aeternam | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, London Symphony Orchestra | B♭ Minor | 0 | 3A | 81 BPM |
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