"Requiem: XVI. Libera Me, Dies Irae, Requiem Aeternam" by Giuseppe Verdi, Sir Colin Davis, Christine Brewer, London Symphony Orchestra was released on August 24, 2009. Since Requiem: XVI. Libera Me, Dies Irae, Requiem Aeternam is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Verdi: Requiem by Giuseppe Verdi, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis. The song's track number on the album is #16 out of 17 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Requiem: XVI. Libera Me, Dies Irae, Requiem Aeternam is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Requiem: XVI. Libera Me, Dies Irae, Requiem Aeternam by Giuseppe Verdi, Sir Colin Davis, Christine Brewer, London Symphony Orchestra has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Requiem: XVI. Libera Me, Dies Irae, Requiem Aeternam being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto / Act 2: Cortigiani, vil razza dannata (Rigoletto) | Giuseppe Verdi, Vladimir Chernov, Metropolitan Opera Orchestra, James Levine | D♭ Major | 2 | 3B | 86 BPM | ||
Concerto for Violin and Orchestra no.2 in D minor op.22: 1. Allegro moderato | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | F Major | 1 | 7B | 94 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": I. Allegro vivace | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Major | 1 | 11B | 115 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
Stabat Mater: 1. Stabat Mater dolorosa | Gioachino Rossini, Pilar Lorengar, Yvonne Minton, Luciano Pavarotti, Hans Sotin, London Symphony Chorus, London Symphony Orchestra, István Kertész | G Minor | 1 | 6A | 60 BPM | ||
6 Romanze (1838) (text by J. Vittorelli, T. Bianchi, and C. Angiolini): No. 2. More, Elisa, lo stanco poeta | Giuseppe Verdi, Dennis O'Neill, Ingrid Surgenor | G Major | 3 | 9B | 87 BPM | ||
War Requiem, Op. 66 / Dies irae: IIa. Dies irae | Benjamin Britten, London Symphony Chorus, The Bach Choir, London Symphony Orchestra | G Major | 1 | 9B | 81 BPM | ||
Rakastava, Op. 14: The Lover | Jean Sibelius, Sir Colin Davis | F Major | 1 | 7B | 69 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 4, Morning Dance | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 3 | 7B | 83 BPM |
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