- BPM
- 77
- Key
- A Minor
- Camelot
- 8A
Stabat Mater, FP 148: 1. Stabat Mater dolorosa - Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver Information
- Acousticness
- 98%
- Danceability
- 16%
- Energy
- 9%
- Instrumentalness
- 92%
- Liveness
- 9%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 9%
- Loudness
- -24.893 dB
Summary
"Stabat Mater, FP 148: 1. Stabat Mater dolorosa" by Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver was released on January 1, 1989. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Poulenc: Gloria; Stabat Mater". In this album, this song's track order is #7. Stabat Mater, FP 148: 1. Stabat Mater dolorosa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Stabat Mater, FP 148: 1. Stabat Mater dolorosa BPM
With Stabat Mater, FP 148: 1. Stabat Mater dolorosa by Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Stabat Mater, FP 148: 1. Stabat Mater dolorosa Key
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Ein deutsches Requiem, Op.45: 5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit" | Johannes Brahms, Barbara Hendricks, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 0 | 9B | 92 BPM | |
 | Winterreise, D. 911: No. 4, Erstarrung | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | A Minor | 1 | 8A | 76 BPM | |
 | Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Catarina Ligendza, Christa Ludwig, Plácido Domingo, Horst Laubenthal, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | F♯ Minor | 2 | 11A | 75 BPM | |
 | Petite messe solennelle: Petite messe solennelle: Sanctus | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | C Major | 1 | 8B | 81 BPM | |
 | The Music Makers, Op. 69: II. We Are the music makers | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | B♭ Minor | 0 | 3A | 79 BPM | |
 | Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | |
 | 4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F♯ Major | 1 | 2B | 81 BPM | |
 | Symphony No.41 In C Major, K.551 - "Jupiter": 1. Allegro vivace | Wolfgang Amadeus Mozart, Boston Symphony Orchestra, Eugen Jochum | C Major | 2 | 8B | 77 BPM | |
 | Scheherazade, Op. 35: The Sea And Sinbad's Ship (Largo e maestoso - Lento - Allegro non troppo - Tranquillo) | Nikolai Rimsky-Korsakov, Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa | C Major | 1 | 8B | 79 BPM | |
 | Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6714487075805664
End: 0.677196741104126