Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore's 'Winterreise, D. 911: No. 4, Erstarrung' came out on January 1, 1972. The duration of Winterreise, D. 911: No. 4, Erstarrung is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Winterreise, D. 911: No. 4, Erstarrung's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 58 in the song's album "Schubert: Lieder (Vol. 3)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Winterreise, D. 911: No. 4, Erstarrung is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Winterreise, D. 911: No. 4, Erstarrung by Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Six Lieder, Op.13: 6. Die stille Lotosblume | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | A♭ Major | 0 | 4B | 94 BPM | ||
Wesendonck Lieder: Träume | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | A♭ Major | 1 | 4B | 72 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49, MWV Q 29: IV. Finale | Felix Mendelssohn, Julia Fischer, Jonathan Gilad, Daniel Müller-Schott | B♭ Major | 1 | 6B | 83 BPM | ||
25 Irish Songs, WoO 152: No. 1, The Return to Ulster | Ludwig van Beethoven, Dietrich Fischer-Dieskau, Andreas Roehn, Georg Donderer, Karl Engel | F Minor | 0 | 4A | 63 BPM | ||
War Requiem, Op. 66 / Requiem aeternam: 1b. What Passing Bells for These who die as Cattle? | Benjamin Britten, Sir Peter Pears, Melos Ensemble, The Bach Choir, London Symphony Chorus, London Symphony Orchestra | F♯ Major | 1 | 2B | 82 BPM | ||
Winterreise, D. 911: No. 10 Rast | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | B Minor | 0 | 10A | 100 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
Liebeslieder-Walzer, Op.52 - Verses From "Polydora": 2. Am Gesteine rauscht die Flut | Johannes Brahms, Edith Mathis, Brigitte Fassbaender, Peter Schreier, Dietrich Fischer-Dieskau, Karl Engel, Wolfgang Sawallisch | D Minor | 3 | 7A | 91 BPM | ||
Don Quichotte à Dulcinée: Chanson romanesque | Maurice Ravel, Paul Morand, Philippe Sly, Michael McMahon | B♭ Major | 0 | 6B | 115 BPM |
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