"It Came Upon a Midnight Clear" by Dame Joan Sutherland was released on October 28, 2015. The duration of It Came Upon a Midnight Clear is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. It Came Upon a Midnight Clear's duration is considered a little bit shorter than the average duration of a typical track. The song is number 94 out of 100 in Christmas Music 100 Hits by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, It Came Upon a Midnight Clear is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of It Came Upon a Midnight Clear by Dame Joan Sutherland is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1 Scene 3: Recitativo, "Ah! del padre in periglio" - No. 2a, Recitativo accompagnato, "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio) | Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra | G Major | 0 | 9B | 104 BPM | ||
Donde lieta uscì al tuo grido d'amore (Mimì) - 1997 Remastered Version | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D♭ Major | 1 | 3B | 93 BPM | ||
Si mes vers avaient des ailes (Arr. Gamley) | Reynaldo Hahn, Dame Joan Sutherland, New Philharmonia Orchestra, Richard Bonynge | F♯ Minor | 2 | 11A | 138 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied | Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment | G Major | 1 | 9B | 88 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Die Fledermaus / Act 2: Nr.10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | D Major | 1 | 10B | 69 BPM | ||
La fille du régiment / Act 2: La romance perdue, on la retrouvée | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, Monica Sinclair, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 1 | 7B | 75 BPM | ||
Les Contes d'Hoffmann (2003 - Remaster), Act II: Les oiseaux dans la charmille :Chanson de la poupéee (Olympia/Chorus) | Jacques Offenbach, Gianna d' Angelo/Choeurs René Duclos/Orchestre de la Société des Concerts du Conservatoire/André Cluytens, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 1 | 4B | 103 BPM |
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