Qigang Chen, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu's ' "The Joy of Suffering: 8. Get caught up in the madness" was released on its scheduled release date, June 28, 2019. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu's "Gateways. Chen – Kreisler – Rachmaninov" album is number 13 out of 24. In terms of popularity, The Joy of Suffering: 8. Get caught up in the madness is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Joy of Suffering: 8. Get caught up in the madness by Qigang Chen, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wu Xing: Le métal (Metal) | Qigang Chen, Didier Benetti/Orchestre National de France, Didier Benetti, Orchestre National De France | D Major | 1 | 10B | 120 BPM | ||
Oboe Concerto: II. Minuet and Musette. Allegro moderato | Ralph Vaughan Williams, Peter Oundjian, Toronto Symphony Orchestra, Sarah Jeffrey | C Major | 1 | 8B | 138 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Nana | Manuel de Falla, Martin Fröst, Royal Stockholm Philharmonic Orchestra | A Minor | 0 | 8A | 113 BPM | ||
DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
Goldmark: Violin Concerto in A Minor, Op. 28: II. Andante | Karl Goldmark, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 2 | 8B | 103 BPM | ||
Iris dévoilée (Iris unveiled): Hystérique (Hysterical) | Qigang Chen, Muhai Tang/Orchestre National de France/Wu Bixia/Ke Luwa/Ma Shuai/Wang Nan/Li Jia/Chang Jing, Muhai Tang, Orchestre National De France | F Minor | 4 | 4A | 122 BPM | ||
Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra) | Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 100 BPM | ||
Two Dialogues with Postscript: III. Morning Serenade | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | E Minor | 0 | 9A | 61 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM |