"Goldmark: Violin Concerto in A Minor, Op. 28: II. Andante" by Karl Goldmark, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra had its release date on September 25, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Itzhak Perlman's "Goldmark: Violin Concerto - Sarasate: Zigeunerweisen" album is number 2 out of 4. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Goldmark: Violin Concerto in A Minor, Op. 28: II. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Goldmark: Violin Concerto in A Minor, Op. 28: II. Andante by Karl Goldmark, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, J.S.: Violin Partita No. 1 in B Minor, BWV 1002: I. Allemanda | Johann Sebastian Bach, Itzhak Perlman | B Minor | 1 | 10A | 55 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 16 in G Minor | Niccolò Paganini, Itzhak Perlman | G Minor | 3 | 6A | 82 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio molto | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | D Major | 0 | 10B | 97 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 9 in E Major | Niccolò Paganini, Itzhak Perlman | E Major | 2 | 12B | 99 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Goldmark: Violin Concerto in A Minor, Op. 28: I. Allegro moderato | Karl Goldmark, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 2 | 8B | 103 BPM | ||
El cant dels ocells (Version for Cello & String Quartet) | Pablo Casals, Ofra Harnoy, Orford String Quartet | E♭ Minor | 0 | 2A | 87 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Sonata op. 166: Andantino | Camille Saint-Saëns, Pauline Oostenrijk, Ivo Janssen | D Major | 1 | 10B | 137 BPM |