On February 1, 2000, the song "Paganini: 24 Caprices, Op. 1: No. 16 in G Minor" was released by Niccolò Paganini, Itzhak Perlman. With Paganini: 24 Caprices, Op. 1: No. 16 in G Minor being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Paganini: 24 Caprices". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Paganini: 24 Caprices, Op. 1: No. 16 in G Minor is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Paganini: 24 Caprices, Op. 1: No. 16 in G Minor by Niccolò Paganini, Itzhak Perlman having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Sonata in G Minor for Violin & Piano, L. 140: 1. Allegro vivo | Claude Debussy, Itzhak Perlman, Vladimir Ashkenazy | D Minor | 1 | 7A | 77 BPM | ||
Viola Concerto No. 1 in D Major: III. Rondeau | Carl Stamitz, Hariolf Schlichtig, Munich Chamber Orchestra | D Major | 1 | 10B | 98 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Vieuxtemps: Souvenir d'Amerique (Variations Burlesques On "Yankee Doodle"), Op. 17 | Henri Vieuxtemps, Itzhak Perlman | A Major | 2 | 11B | 154 BPM | ||
Prelude and Allegro in the style of Pugnani | Samuel Sanders, Itzhak Perlman | E Minor | 3 | 9A | 107 BPM | ||
Novacek: 8 Concert Caprices for Violin and Piano, Op. 5: IV. Perpetuum mobile in D Minor (Vivace non troppo) | Ottokar Novácek, Itzhak Perlman, Samuel Sanders | D Minor | 4 | 7A | 179 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 13 in B-Flat Major | Niccolò Paganini, Itzhak Perlman | B♭ Major | 1 | 6B | 67 BPM | ||
24 Caprices, Op.1 (2000 - Remaster): No. 6 in G Minor | Niccolò Paganini, Itzhak Perlman | G Minor | 2 | 6A | 131 BPM | ||
Stravinsky: Symphony in C: I. Moderato alla breve | Igor Stravinsky, Sir Simon Rattle, Berliner Philharmoniker | C Major | 0 | 8B | 147 BPM |
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