"A Ceremony of Psalms (Arr. for Choir, Organ & Brass Ensemble): II. Psalm 130 "Out of the Deep Have I Called unto Thee, O Lord"" by Sir David Willcocks, Stephen Varcoe, Ben-San Lau, Jane Watts, Sir Stephen Cleobury, Peter Stevens, Royal College of Music Brass Ensemble was released on February 16, 2011. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 19 in Choral Music of David Willcocks by Choir of King's College, Cambridge, Sir David Willcocks. Based on our statistics, A Ceremony of Psalms (Arr. for Choir, Organ & Brass Ensemble): II. Psalm 130 "Out of the Deep Have I Called unto Thee, O Lord"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Ceremony of Psalms (Arr. for Choir, Organ & Brass Ensemble): II. Psalm 130 "Out of the Deep Have I Called unto Thee, O Lord" by Sir David Willcocks, Stephen Varcoe, Ben-San Lau, Jane Watts, Sir Stephen Cleobury, Peter Stevens, Royal College of Music Brass Ensemble is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abendlied | The Concordia Choir | D♭ Major | 1 | 3B | 77 BPM | ||
Libera nos I & II: Libera nos I & II | John Sheppard, Stile Antico | A♭ Major | 1 | 4B | 130 BPM | ||
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
Burial Service: I am the resurrection | William Croft, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | D♭ Minor | 2 | 12A | 83 BPM | ||
Magnificat in D Minor | Thomas Attwood Walmisley, Rochester Cathedral Choir, William Whitehead, Roger Sayer | C Minor | 1 | 5A | 76 BPM | ||
Requiem: Salvator Mundi | Herbert Howells, Conspirare, Craig Hella Johnson | G Major | 0 | 9B | 126 BPM | ||
Herr, auf dich traue ich (Psalm 31) | Otto Nicolai, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 81 BPM | ||
Cradle Hymn | Kim André Arnesen, Kantorei, Alicia Rigsby, Joel Rinsema | D♭ Major | 0 | 3B | 176 BPM | ||
2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | B♭ Major | 0 | 6B | 138 BPM | ||
Sitivit anima mea (Live) | Richard Burchard, Riverside City College Chamber Singers, John Byun | E♭ Major | 0 | 5B | 135 BPM |
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