Radio Bratislava Symphony Orchestra made "Swan Lake, Op. 20a: VIII. Mazurka" available on January 2, 2019. With this song being about 5 minutes long, at 4:33, "Swan Lake, Op. 20a: VIII. Mazurka" by Radio Bratislava Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "The Nutcracker and Swan Lake: Suites from Two Favorite Ballets by Peter Ilych Tchaikovsky". In this album, this song's track order is #16. The popularity of Swan Lake, Op. 20a: VIII. Mazurka is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Swan Lake, Op. 20a: VIII. Mazurka by Radio Bratislava Symphony Orchestra having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: Il barbiere di Siviglia: Overture | Gioachino Rossini, Riccardo Muti, Philharmonia Orchestra | G Major | 1 | 9B | 88 BPM | ||
Carmen Ballet: Dance | Arthur Fiedler | D Minor | 4 | 7A | 120 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Overture, Act I: Cavatina. Largo al factotum [Vivace] [arr. W. Sedlak] | Gioachino Rossini, Italiano di Fiati, Paolo Pollastri | C Major | 1 | 8B | 98 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp) | Camille Saint-Saëns, Paul Tortelier, City Of Birmingham Symphony Orchestra, Louis Frémaux, Robert Johnston | A♭ Major | 2 | 4B | 123 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 2, Dance du coq et des poules | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 4 | 10B | 164 BPM | ||
Gaite Parisienne (after J. Offenbach): 1. Allegro brillante | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | G Major | 3 | 9B | 113 BPM | ||
Nocturne No. 11 in G Minor, Op. 37 | Frédéric Chopin, Dubravka Tomšič | E♭ Major | 1 | 5B | 127 BPM | ||
Rapsodia Hungara No 2 | Orquesta Sinfónica De Eslovaquia | D♭ Major | 3 | 3B | 141 BPM | ||
Concerto No. 1 in E major, Op. 8, RV 269, "La primavera" (Spring): I. Allegro | Antonio Vivaldi, Alberto Lizzio, Musici di San Marco | E Major | 1 | 12B | 96 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM |
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