Matthew Locke, Ensemble Masques's 'For Several Friends: Suite No. 4 in E Minor: I. Pavan' came out on January 1, 2001. With this song being about 5 minutes long, at 4:30, "For Several Friends: Suite No. 4 in E Minor: I. Pavan" by Matthew Locke, Ensemble Masques is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Matthew Locke, Masques's "Locke, M.: Consorts in 2 Parts" album is number 25 out of 59. On top of that, United States appears to be the country where this track was created. For Several Friends: Suite No. 4 in E Minor: I. Pavan is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of For Several Friends: Suite No. 4 in E Minor: I. Pavan by Matthew Locke, Ensemble Masques to be Lento (slowly) because the track has a tempo of 56 BPM, a half-time of 28BPM, and a double-time of 112 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lachrimae or Seven Tears: II. Lachrimae antiquae novae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Le bourgeois gentilhomme: Chaconne | Jean-Baptiste Lully, Emanuela Galli, Yetzabel Arias Fernandez, La Risonanza, Fabio Bonizzoni | C Major | 2 | 8B | 90 BPM | ||
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM | ||
Il Spiritillo Brando | Andrea Falconieri, La Ritirata, Josetxu Obregon | G Major | 2 | 9B | 126 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: I. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Water Music, Suite No.2, HWV 349: IV. [Rigaudon 1] | George Frideric Handel, B'Rock Orchestra, Dmitry Sinkovsky | F♯ Major | 2 | 2B | 131 BPM | ||
18 Sonatas, Op. 2: No. 1, La Cornara | Giovanni Legrenzi, Harmonia Urbis, Marco Silvi | A♭ Minor | 1 | 1A | 116 BPM | ||
Psyche, Act V Scene 1: Psyche, draw near (Proserpina & Pluto) | Matthew Locke, Ensemble Correspondances, Sébastien Daucé, Davy Cornillot, Nicolas Brooymans | D♭ Major | 1 | 3B | 122 BPM | ||
Psyche, Act I Scene 1: A rustick dance of Sylvans & Dryads | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM |
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