"Verdi: Aida, Act 1: "Ritorna vincitor!" (Aida)" by Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra was released on 1974. The duration of Verdi: Aida, Act 1: "Ritorna vincitor!" (Aida) is about 3 minutes long, at 3:09. Based on our data, "Verdi: Aida, Act 1: "Ritorna vincitor!" (Aida)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Aida by Giuseppe Verdi, Riccardo Muti. The song's track number on the album is #9 out of 55 tracks. Verdi: Aida, Act 1: "Ritorna vincitor!" (Aida) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Aida, Act 1: "Ritorna vincitor!" (Aida) by Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: Aida, Act 1: "Ritorna vincitor!" (Aida) being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Macbeth / Act II: Va', spirto d'abisso! | Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Plácido Domingo, Alfredo Mariotti, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | E Major | 2 | 12B | 127 BPM | ||
Mefistofele: Act I - Perchè di là | Arrigo Boito, Riccardo Muti | C Major | 3 | 8B | 127 BPM | ||
La Traviata, Act I: Che è ciò — Un dì felice | Giuseppe Verdi, Lisette Oropesa, René Barbera, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor Dresden | B♭ Major | 1 | 6B | 81 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: Gran ventura (Butterfly/Coro/Pinkerton/Sharpless/Goro) | Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Rolando Panerai, Piero de Palma, Coro del Teatro dell' Opera di Roma, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli | F♯ Major | 1 | 2B | 172 BPM | ||
Il Trovatore/D'Amor Sull'Ali Rosee | Montserrat Caballé, Orquesta Sinfónica de Barcelona | D Major | 3 | 10B | 62 BPM | ||
Carmen (1997 - Remaster), Act I: Reste là, maintenant, pendant que je lirai | Georges Bizet, Nicolai Gedda, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E Major | 1 | 12B | 98 BPM | ||
Carmen, Act II, No.17 Duo (continued...): Non! tu ne m'aimes pas! (Carmen/Don José) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 1 | 8B | 86 BPM | ||
Carmen, Act III, No.19 Sextuor et Choeur: Notre métier est bien (Carmen/Don José/Frasquita/Mercédès/Le Dancaïro/Le Remendado/Bohémiens et Bohémiennes) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De Toulouse | E♭ Major | 2 | 5B | 79 BPM | ||
Luisa Fernanda: Caballero del alto plumero | Federico Moreno Torroba, Montserrat Caballé, Bernabe Marti, Eugenio Mario Marco | A Major | 1 | 11B | 87 BPM | ||
Don Giovanni, K.527, Act I, Scena quinta: Venite pur avanti (Leporello/Don Giovanni/Donna Elvira/Don Ottavio) | Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker | C Major | 2 | 8B | 106 BPM |
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