Alfred Deller's 'Come, Pretty Babe' came out on March 4, 2008. With Come, Pretty Babe being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "The Art Of Alfred Deller: The Counter-tenor Legacy". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. In terms of popularity, Come, Pretty Babe is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Come, Pretty Babe by Alfred Deller having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat in B flat major: Magnificat anima mea | Francesco Durante, Thomas Hengelbrock | A Major | 3 | 11B | 126 BPM | ||
Il sesto libro de' madrigali, Venice, 1614: Lagrime d'amante al sepolcro dell'amata (sv111) -O chiome d'or, neve gentil del seno | Claudio Monteverdi / O. Rinuccini (t), Alfred Deller, Deller Consort | A Minor | 2 | 8A | 83 BPM | ||
Deuxième Livre de pièces de clavecin, sixième Ordre: Les Barricades mystérieuses | François Couperin, Christophe Rousset | A♭ Major | 2 | 4B | 80 BPM | ||
A Midsummer Night's Dream, Op.64 / Act 3: "Now the Hungry Lion Roars" | Benjamin Britten, Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Stephen Terry, Alfred Deller, Elizabeth Harwood, London Symphony Orchestra | F♯ Major | 1 | 2B | 86 BPM | ||
Stabat Mater: IV. Sancta Mater | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Ave Regina coelorum (Sentimenti devoti espressi con la musica di due e tre voci, opera sesta, Libro secondo, 1660, G. Sala, Venezia) | Marie-Nicole Lemieux, Philippe Jaroussky, Ensemble Artaserse | D Minor | 2 | 7A | 119 BPM | ||
Jubilate Domino, BuxWV60 | Dietrich Buxtehude, Alfred Deller, Eli Goren, Leonard Friedman, Anna Shuttleworth, Desmond Dupre | D Major | 1 | 10B | 80 BPM | ||
"Lagrime mie" (Lamento), Op. 7 | Barbara Strozzi, Ensemble Poïésis | E♭ Minor | 0 | 2A | 83 BPM | ||
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
John Blow- Galloping Joan | Alfred Deller, Deller Consort | D♭ Major | 3 | 3B | 117 BPM |
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