"Il sesto libro de' madrigali, Venice, 1614: Lagrime d'amante al sepolcro dell'amata (sv111) -O chiome d'or, neve gentil del seno" by Claudio Monteverdi / O. Rinuccini (t), Alfred Deller, Deller Consort was released on May 19, 2009. The duration of Il sesto libro de' madrigali, Venice, 1614: Lagrime d'amante al sepolcro dell'amata (sv111) -O chiome d'or, neve gentil del seno is about 3 minutes long, at 3:07. Based on our data, "Il sesto libro de' madrigali, Venice, 1614: Lagrime d'amante al sepolcro dell'amata (sv111) -O chiome d'or, neve gentil del seno" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 135 in Alfred Deller: Madrigals, Complete Deller Vol. 5 by Alfred Deller, Deller Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Il sesto libro de' madrigali, Venice, 1614: Lagrime d'amante al sepolcro dell'amata (sv111) -O chiome d'or, neve gentil del seno is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il sesto libro de' madrigali, Venice, 1614: Lagrime d'amante al sepolcro dell'amata (sv111) -O chiome d'or, neve gentil del seno by Claudio Monteverdi / O. Rinuccini (t), Alfred Deller, Deller Consort is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in C Minor, FaWV N:c2: IV. Allegro | Johann Friedrich Fasch, London Baroque | B Minor | 2 | 10A | 115 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro primo, Concerto No. 3 in D Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, David Plantier, Hendrike ter Brugge | D♭ Minor | 3 | 12A | 76 BPM | ||
Concerto No. 2 in E Major, SF 938 "La Cetra": I. Allegro assai | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | E♭ Major | 1 | 5B | 107 BPM | ||
Concerto in D Major, Op. 6 No. 12: II. Largo tempo giusto | Charles Avison, Café Zimmermann | B Major | 5 | 1B | 101 BPM | ||
Symphony No. 4 in C Major: III. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | F♯ Major | 2 | 2B | 186 BPM | ||
Concerto Grosso in B-Flat Major, Op. 1, No. 3: II. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | B♭ Major | 3 | 6B | 116 BPM | ||
Trio Sonata in C Minor, FaWV N:c2: II. Allegro un poco | Johann Friedrich Fasch, London Baroque | B Minor | 3 | 10A | 136 BPM | ||
Concerto in D Minor for Oboe, Strings and Basso continuo: I. Andante e spiccato | Alessandro Marcello, Frans Brüggen, L'arpa Festante | D♭ Minor | 0 | 12A | 115 BPM | ||
Concerto a cinque No. 9, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | E Major | 3 | 12B | 120 BPM | ||
Quatrieme livre de 6 quatuors: Quartet No. 5 in G Major, TWV 43:G5: II. Allegro | Georg Philipp Telemann, American Baroque | E Major | 1 | 12B | 108 BPM |
Section: 0.5280694961547852
End: 0.5322122573852539